I love this movie so much

Awesome Movie

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

This movie caused me considerable drama. I saw it donkey years ago, but had forgotten virtually everything, and the only clue was "dual personality Lisa/Beth" when I turned to I Need To Know for help last year. Thank you, Star-Core!Movies by mad people for mad people. In that category, NIGHT CLUB scores highly. It is a highly effective showcase for the beauty of Elizabeth Kaitan who appears in a dual role.Look, I am not saying it's a wonderful movie, don't get me wrong. But everybody else (except Mr. Woody Anders) is UNFAIRLY giving it the short end of the stick. This is a misunderstood movie with a misnomer of a title. It is actually a small-scale psychological thriller, with, of course, a good measure of exploitation thrown in. In the shape of Elizabeth Kaitan, who is simply adorably marvelous, and anybody saying any different is just sour-grapes envious. For Elizabeth is A+ 100% super-fine, a dream-girl straight from the Dream Factory, wow.Look, it's an unlikely movie, and admittedly unseemly, but Elizabeth Kaitan is a contender for One Of The Prettiest Girls On Film EVER!At first I thought "Shattered Glass" but this movie should have been called "Wildest Dreams" because this Nick guy is in limbo between wishful fantasy and a reality he can't keep up with. Which is why so many reviewers are irked by the wishy-washy male lead.Don't dismiss it simply because you don't understand it. This guy's pretty wife left him, and as his only keepsake of her, he is left with a videotaped recording. Being a dreamer, he turns her in his mind to his ultimate fantasy girl, then, weak-willed as he is, gets delusional, and sees his dream become reality, only this dream is not meant for love, being totally devoid of loyalty. In other words, what you see as the movie here, most of this happens in Nick's mind, Nick is coo-coo and haunted by the memories of a lost love.Well, that's my interpretation.The movie has an escalating level of being explicit in regards to on-screen intimacy. The bare breasts getting pawed, must have been an afternoon's work to get it filmed. Imagine! Decades ago, I found it harrowing to watch. While a blue movie has no emotion, this one has it in spades. Makes it all the more controversial. Forget about Sharon Stone in BASIC INSTINCT. This one gets truly explicit. I've yet to see anything quite as hands-on like that scene in a mainstream movie......and anything similar in a blue movie would lack the impact it has here. Because of Elizabeth's acting, the girl is very real.Summed up, this flick truly delivers to a flesh connoisseur's delight. Prime rib. Grade A. Succulent and juicy.I damn well bought the DANGEROUS BABES box-set to get to this title, and believe me, there are SOME REAL STINKERS in that one, and then some people have the temerity to say that NIGHT CLUB is "the worst I've ever seen?" Elizabeth is a Grade A classy beauty, and I could watch rolls and rolls more. Do read Mr. Woody Anders's review again, those are the valid complaints, yes, the male lead* gives off a weak vibe.*Then again, the male lead, Nick Hoppe, was THE DRIVING FORCE BEHIND THE ENTIRE PRODUCTION! This is his dream here, he got it filmed, and it led to the casting of this beautiful angel- faced girl... she is pure music...........people, I may be a fool, but I know what I like!

In the mid 1980s, Crown International Pictures all but stopped acquiring and releasing new product. "Night Club" is one of the few movies they've handled since then, and after watching it I have no idea why they thought it was worth the effort, unless they were looking for some kind of tax write-off. This is real minimalist filmmaking - 90% of the movie focuses on the few actors talking boring stuff in an old warehouse. There is almost no plot to be found, with the movie instead spinning its wheels again and again. Technically it's often shabby as well, with some poorly recorded audio that no one thought should be looped in the editing room. The movie does boast a number of scenes of extremely gratuitous nudity and sex, but even that gets boring quick. Although made in 1989, the movie only seems to have been released to the public a few years ago - it's easy to see why.

Married couple decide to open a nightclub in an old factory and have to battle to mob, local planners and each other if they ever want to get the place open.Dull drama that I found in a dreadful collection of supposed thrillers, this is the sort of film that makes you wonder why anyone bothered at all. I was never interested at any point thought the lead character was an immature bore. Why anyone went along with him for any reason is beyond me, but then again I'm not one of the fictional characters in the movie.Honestly fifteen minutes in I kind of stopped watching and was doing other things around the house hoping that at some point this film would do something interesting, but it never did.My advise is not to watch the film and send any print you run across to the nearest manufacturer of guitar picks for recycling.

Moody aspiring writer Nick Taylor (the insufferably whiny Nicholas Hoppe) purchases an old warehouse that he's going to convert into a nightclub. Nick finds himself in deep trouble when several mobsters he borrowed money from begin harassing him and his loyal, but long-suffering wife Beth (a typically radiant and charming Elizabeth Kaitan) becomes fed up with his constant immaturity and inability to finish anything he starts. Writer/director Michael Keusch and co-writer Deborah Tilton unfortunately allow the muddled narrative to meander all over the place at a sluggish pace; the plot seriously lacks cohesion and ultimately doesn't add up to much. The tiresome excess of dopey dream scenes and corny music montages certainly don't help matters any. Worst of all, the extremely self-pitying and self-absorbed Nick doesn't make for an engaging main character; instead this irritating kvetch becomes more increasingly obnoxious and unappealing as the flimsy plot unfolds. The always sweet and sexy Elizabeth Kaitan provides one of the few bright spots with her bravura acting as both Beth and Nick's lusty imaginary mistress Liza. Moreover, Kaitan looks absolutely gorgeous in this film and takes her clothes off a few times. Ed Trotta contributes an amusing turn as volatile foul-mouthed hoodlum Eddie. Both Loius Di Cesare's glittery cinematography and the funky, syncopated score by Dana Walden and Barry Fasman are up to par, but all the technical slickness in the world can't stop this talky and tedious affair from being anything more than a strictly mediocre time-waster at best.