Just perfect...

Better Late Then Never

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Donald Pleasence plays a big-game hunter who strands himself on his private Thai island with a leopard that once almost killed him during hunting.Unfortunately his family including two adult daughters visits him so the situation becomes more complicated."Night Creature" directed by Lee Madden is a mediocre animal attack flick with low body count and the lack of tension.There are few effective horror bits for example the scene in which the cat attacks and kills one of the daughters,but not much happens during 80% of the movie.Still if you are animal attack movies collector you can give "Night Creature" a look.5 tropical rainfalls out of 10.

The adult children of a reclusive and eccentric former game hunter, travel to his island fortress for a surprise visit. What they didn't count on was the 200 lbs jaguar he imported to hunt, now on the loose and turning the tables on the hunter. Set against the backdrop of a tropical southeast Asian island paradise, adorned by ancient temples and ruins, it's a picturesque vista that provides some interesting visual diversions both during the attacks, and in the more frivolous activities undertaken by the characters. But a scenic stage can't compensate for poor cinematic qualities and a laboured momentum that revolves around Pleasance's guilt-ridden redemption and vein attempt to re-connect with his distant daughter and the grandchild for whom he now feels responsible.Pleasance is so-so as the mysterious tortured soul, withdrawn from mainstream society to a tranquil oasis, unable to properly adjust to life without perilous pursuit and risk. To satisfy this deficit, he imports a formidable quarry, but the script goes awry when his daughters make their unexpected visit and bad timing turns to tragedy. Kwan as the down to earth daughter is realistic if clichéd, harbouring deep resentment toward her father's absence as a child. To her credit, Kwan shows herself to be a consummate professional, and playing well below her weight in this drawn-out pot boiler.As far as a catch-and-kill storyline goes, "Night Creature" is a basic rendition, with limited add-ons and a rather one-dimensional treatment – accordingly, the picture isn't too demanding, and nor is there much sub-text to reveal. The only skill required is to try and determine who's pursuing who, such is the propensity to film almost every action sequence against a backdrop of darkness or dense shadows, which doesn't assist the viewer when the title creature's posture is it's expression, and it's as black as the ace of spades.

The recent DVD release of this is pretty murky and mediocre at best, but the film is worth a look, especially for animal attack movie fans.The opening scene is pretty laugh inducing with its POV cat footage, and most shots of the impressive title beast are used at least twice but the film does build some momentum. Ross Hagen, the producer and actor is pretty hard to take in his perky mugging fun lovin' tour guide character but once he gets scared by the cat things improve.The direction is a big pain in the ass, lots of freeze frames and slow motion--the slow motion is actually effective once you get used to it but the stills and the voice over, especially right at the start have to be put up with rather than learned to liked.The island setting with its ruined temple and rain is impressive as is the cat action stalking around the ruins or into the house. Good kitty. Cat training and wrangling gets top marks. There is a prolonged kill scene at night which is pretty intense, despite the hard to see DVD quality of it. This kill motivates Pleasance to do maybe his best crying freak-out in a long career. It belongs on any Pleasance fan's greatest hits tape! This is also one of the few in his fistful of film credits where he is the major character in the film rather than just showing up a couple of times quickly as happened more in the back half of his career--aside from the Halloween movies. He totally unglues in this great scene, it is shocking actually the way it should be, this breakdown scene. From that moment on the film is much better and gains momentum steadily until the ending.Has to be said that more people should have died for this to be more drama and less melodrama, but the central theme for the Pleasance character does work itself out and his interaction with the other characters is interesting. That can't be said for the interaction of those supporting characters on their own.Probably unlikely a better DVD will come along anytime soon, and too bad the film didn't have a better director, but again the cat is impressive and if you can put up with serious problems in the first 30 minutes it's worth the ride.

A voiceover accompanies and describes celebrated writer and hunter Alex MacGregor (Donald Pleasence) while he and his attendants plod through a Thai jungle during this film's opening scene, as they search for a deadly rogue black leopard that has killed numerous local villagers. Alex is attacked and savaged by the animal, and made permanently lame as a consequence, and his offer of a ten thousand dollar reward for the beast if captured unharmed is soon claimed by successful Siamese beaters, following which the hunter keeps the caged mankiller at his remote palatial home while preparing for a rematch. The purpose of this revived hunt will be for MacGregor to expunge a newly found emotion within him: fear (although his high-powered scoped rifle should be of no little assistance in that regard), and after giving his servants two weeks off with pay, loads his weapon with nine rounds (for the fabled number of lives), frees the creature and limps off alone in pursuit of it. This is an interesting notion for what promises to be a stirring tale of adventure, but then the plot shifts to Bangkok, where are found the two daughters of Alex, Leslie (Nancy Kwan) and Georgia (Jennifer Rhodes with the work's best performance), along with the latter's child, all about to embark upon a journey to pay their father a surprise call. The three females are escorted by a transplanted Texan, a tour guide in the Thai capital and a former lover of Georgia, and he becomes romantically embroiled with her sister immediately after the group's arrival at the vacated MacGregor estate, while the title character is only seen as he threatens the visitors, the big game hunter seemingly having been swallowed by the encroaching flora as he seeks his hardly elusive prey. The matter of Axel's struggle with fear becomes subordinate to his offspring's emotional entanglements, although there are many slow motion closeups of the brute to enliven the action in a film that is bedevilled with serious flaws of continuity.