Very well executed

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

A story that's too fascinating to pass by...

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The mixture of slapstick humour and seriousness isn't always blended that well. There is some good awkward realism though. The main guy is a beta-male dude who is generally well meaning despite being a bit fearful and judgemental. The girl is - I think - what they call a 'hot mess'. She mixes cynical and righteous anger with goofy wildness.

This movie was recommended by a friend who knows I love Adam Pally, but despite a decent performance by Pally, I could barely get through this paint by numbers comedy. Typical formula with no surprises and when the movie tries to get serious it just jumps into melodrama. Some decent chemistry every now and then between Pally and his female lead, but overall nothing new to see here. Wouldn't recommend.

Not a Hollywood explosion-type of film, if you want that, go else-where. This film was a surprise, the log-line caught us enough to stick it on one evening - last night, with no expectations. Right off-the-bat the situation isn't quite right, which piqued curiosity and draws you in. As it progresses quite quickly the characters become more and more engaging, more and more real, very well acted by the two relative unknowns, absolutely understanding the depth and identity of the characters they portray.From a writing and directing standpoint, these guys absolutely nailed the complexity of people, and managed to do a 'one-location film' completely believably without drawing attention to that fact, brilliant and smart filmmaking.This is a very entertaining and refreshingly different relationship film, and thank god for it, absolute praise from me, they know what they're doing.

"Night Owls" is almost entirely a two-character play acted out (by Adam Pally and Rosa Salazar) over some ninety screen minutes in and around a millionaire's home while the rich guy and his family aren't around. I won't give away the details of this peculiar scenario. I will say, however, that this is one of the most blatant examples I have ever seen of a script and story orchestrated (and poorly at that) to manipulate an unlikely romantic partnering and then to inspire the audience to give a crap about the principles involved.Gotta say to ya Director/Writer Charles Hood and co-author Seth Goldsmith, with what you've attempted to manufacture in "Owls" you guys have given us two spectacularly sad people and then expected that we as an audience would root for them to get together. And then what? Become a spectacularly sad couple?I was just never moved to care at all. Or, more fittingly, "give a hoot".