the leading man is my tpye

That was an excellent one.

Strong and Moving!

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

When a sadistic serial killer starts stalking the streets of Dallas, Texas, only one man can stop the madness: Dakota "Dak" Smith (Williamson). But before he can fight this antagonist, he must fight his inner demons: he's been living in a sober house and going to AA meetings. His alcoholism even got him demoted from detective to motorcycle cop working the graveyard shift. But his Commanding Officer, Teak Taylor (Forster) believes in him, so Teak teams Dak up with the enthusiastic Kristin O'Connor (Rothrock). Despite his initial misgivings, they forge a solid relationship. Dak's buddy Newt (Bushwick Bill) also is supportive. Can Dak turn his life around and catch The Video Stalker (Prentiss) - so named because he videotapes all his murders - at the same time? The presence and charisma of Fred Williamson completely carries this movie. In his first go as the recurring character Dakota Smith (later to be reprised in On the Edge, among others), Fred gains your sympathy as the hard-working guy who loves Twinkies and root beer. Inexplicably, there are multiple scenes where he appears pantsless, but maybe that was to underline his slide from hero detective to living on the skids - the media even gives him the nickname "The Skid Row Cop". He even gets his own, ultra-catchy theme song, "Dakota Smith - You're 12 Steps Away", which was co-written by music legend Andre Williams of all people (assuming it's the same Andre Williams whose career goes back to the 50's).We all love Cynthia Rothrock, and we were definitely happy to see her here, but she seems miscast as O'Connor. Her martial arts talents are severely underused. This part could have been played by many people - this movie doesn't highlight her particular talents and abilities. Even still, it was nice to see her alongside Fred and Robert Forster (whose part is pretty minimal but still does a competent job). Bushwick Bill, of Geto Boys fame, basically steals the movie as Newt. You really like Newt and Bushwick does a great job.The great cast notwithstanding, this is still late-90's DTV crud. It's ultra-low budget, and the mixture of simplistic plot - a cop drama/serial killer chase - means it gets a bit slow at times. It really seems like it could have been made in the 80's, thanks mainly to the cast. It was directed by Gil Bettman, the same man who directed Never Too Young To Die (1986). How far the mighty have fallen. What would Stargrove think? The DVD contains the trailer, which we would advise watching after the movie because it gives away pretty much everything. That's why we always watch the trailer after the movie. In order to hook the potential viewer in, they have to give away all the best parts. Too many spoilers.In sum, the cast is strong but the movie itself is not. So it's kind of a wash, but Fred and Rothrock fans still might find this entry worthwhile, if not ideal.For more action insanity, drop by: www.comeuppancereviews.com

The first clue that should tell you that "Night Vision" is not a good movie is that it was made by Texas filmmakers - Texas has made more than its share of bad movies. The second clue is that it has Cynthia Rothrock in its cast, and no (American) movie with Cynthia Rothrock is any good. The third clue is with Fred Williamson producing this movie, whose Po' Boy production company has made a string of bad movies. Yes, "Night Vision" is indeed a bad movie. In fairness, I will say that for a VERY low budget, the movie looks good. The colors are strong and there is some decent night shooting. And there are at least SOME production values, something you can't say for all Fred Williamson movies (such as with Williamson's "Black Cobra".) But most of the rest of the movie is pretty pitiful. It's a slow, sluggish movie, even in the action scenes. (And speaking of action, why cast martial arts actress Cynthia Rothrock when she gets to do almost no martial arts?) The atmosphere is sterile. Scenes seem to be missing. And Fred is seen in his underwear twice! And Robert Forster is wasted; he made this the same time that he made "Jackie Brown", and I hope he worked on this mess before making the Tarantino movie.

Trying to catch a serial killer, did they ever think of tracking the license plate number of the black van or fingerprint the video tapes he sent? Oh brother the plot of this movie was so full of holes it was pathetic. Now I know why there are bad movies in the world. This one however was one of the worst.

This movie is great for the brilliantly choreographed chase scenes and the invigorating soundtrack. What Gil Bettman has here is a cinematic masterpiece. The sex scenes in this movie are not gratuitous like other films, but are important to the storyline. The classic one-liners will go down in history as some of the greatest ever, especially the "holy f***" line in the church. Cynthia Rothrock shows off her incredible rear end and also her finely tuned acting chops, comparable to the late Audrey Hepburn. A highly underrated classic for the ages.