Wonderful character development!

Very very predictable, including the post credit scene !!!

Not even bad in a good way

The acting in this movie is really good.

This early television film directed by Robert Altman is a way ahead of it's time portrait of a serial killer. Surprising in tone and style, especially for TV of that era. Lots of hand-held camera, dark lighting, and subtle acting. Also pretty sexually intense and violent for American television of the time. Some of the psychology is obvious and on-the-nose, and some of the cop stuff as they chase the killer is stiff, 'coincidental' or non-sensical. But there are chilling, disturbing and nightmarish moments, and a fascinating relationship that develops between the killer and one of his captives. The acting isn't great, but it's not bad either. Far better than most Hollywood treatments of the same subject 40 years later.

I had read a positive review of "Nightmare in Chicago" in Steven Scheuer's Movies on TV Guide in the mid-1970s and became interested in seeing it, finally doing so in the early '80s although it was even then in chopped-up form on commercial television. I still liked it a lot. I hadn't seen it again and in fact could not find it anywhere on video for about two decades. Then just a few years ago I found one guy in Canada who had taped the movie years before from one of those edited broadcasts, but he missed taping the opening titles. I ordered it anyway because I was curious as to whether the quality would hold up over time, and perhaps the best indicator of a good film, it did live up to my positive memory of it. That very week, I discovered that the office next to mine was going to be occupied by director Robert Altman's production company Sandcastle. Through casual interaction with people working for him and a few elevator rides with Mr. Altman himself, I brought up this film of his that I had been looking for for a long time, learning that he also did not have a copy of the film. So that week I was able to supply him with one, although minus the opening. It seemed I was meant to do that for him.

The first and last time I ever saw "Nightmare in Chicago" was back in 1971, on New York' s Channel 9 (WOR-TV back then). I was seven -yes, seven!- years old when I watched it with my younger brother (my parents were busy playing a game of Parchese on the kitchen table after dinner, oblivious to the kind of "kiddie show" we were watching) and I still remember it vividly, some parts more than others. The multi-car pile up caused by Phillip Abott's psychotic character Georgey-Porgie was definitely a winner. The fact that Porgie wore shades at night invigorated his morbid nature even more - boy did Altman really outdo himself with this classic crime-and-suspense piece! It puzzles me how such a masterpiece has not made it to video, particularly at this day and age...I hope to God the original film hasn't been compromised and lost!!

I've been hoping this would be released on one format or another ever since I watched it on TV in 1974, when I thought it the equal of anything Fellini, Godard, or Antonioni had produced. Of course, I was 18 years old at the time and high on acid, and had yet to see the films of Fellini, Godard, & Antonioni but to this day I am convinced that Altman really broke the crime genre mold with this one. Ted Knight is a revelation as a beleaguered authority figure, displaying acting chops apart from what we would associate with the pompous clown TedBaxter. I would love to see this again. My recollection is that it was full of textural details and was truly creepy.