an ambitious but ultimately ineffective debut endeavor.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

The best films of this genre always show a path and provide a takeaway for being a better person.

This film is so real. It treats its characters with so much care and sensitivity.

This documentary is about the excellent baseball pitcher and character, Dock Ellis. Much of the film concerns Ellis' crazy lifestyle--especially his use and abuse of drugs and alcohol during this career. Oddly, much of the time the drugs seemed to either help him or not hinder him--and he reportedly pitched a no-hitter while under the influence of LSD! Eventually, however, the drugs and alcohol got out of control and led to his early death (though this is oddly never mentioned in the film).This is an enjoyable film to watch, though I must also admit that the message about drugs was oddly mixed. During much of the film, it sounded as if Ellis' drug abuse was rather funny and it almost seemed to imply that the drugs were good! Later, however, his violent side came out and he, fortunately, became sober and a living example to others. Well made but strange in its focus.By the way, if you enjoyed this, there also is a wonderful documentary about Danny Trejo ("Champion")--which is quite similar in many ways.

I'm in my mid-40's now, but I am still too young to have ever seen Dock Ellis play. In fact I had never even heard of him until I saw this movie. The famous no-hitter that gives the film its title was played 9 months before I was born. And his career ended in 1979 when I was too young to sit still long enough to watch a baseball game. Which is not to say I *shouldn't* have heard of him. The names of many of his contemporaries such as Roberto Clemente, Pete Rose and Reggie Jackson are known to anyone with even a passing interest in baseball. And from what I saw in this film, Dock Ellis should be mentioned in the same breath.From the 1980's onward, Ellis was known for his admission that he was addicted to drugs and alcohol throughout his baseball career. In 1970, he pitched a no-hitter while flying on LSD--which inspired Robin Williams to do a bit about it more than 30 years later. But when he was actually playing, he was known as the angry black pitcher who wore hair curlers and earrings--which inspired Johnny Carson to do a bit about it at the time.But the film is not just about baseball and popular culture. "No No: A Dockumentary" succeeds in its goal of providing a complete portrait of this fascinating individual. It uses interviews of friends, family and even two of his ex-wives. And even though Ellis died during filming, director Jeff Radice was able to get a very thorough interview with Ellis, so you don't get the feeling that you're only learning about this guy from others' points of view. It starts with his teen years in Compton. Then it focuses on his 1968-1973 peak with the Pirates, his 1976 comeback with the Yankees, and the 1978-1979 end of his career with the Rangers. And then finally it focuses on the final 25 years of his life as the public face of drug addiction in sports and a drug counselor.The things I like best about the movie are the interviews, which feel like you're sitting on the porch with your family swapping stories about your crazy cousin. And I like that Adam "King Ad-Rock" Horowitz is able to replicate the psychedelic rock and funk sounds from the period, even though the filmmakers couldn't get the rights to the big hits of the day.The main problem I have with this film--and it's a minor quibble--is that of all the on-field stories about Dock, the only game they show using old TV footage is the no-hitter. All the rest are represented through still photographs or--in one case--a slide show of comic strip panels.Dock Ellis was possibly the greatest pitcher of the early 1970's. And his influence extended into the greater culture at large--from his fashion sense that was replicated by the gangsta rappers of the early 1990's (Ice Cube in particular), to his becoming a leading advocate of drug rehabilitation programs in the Just Say No 1980's. The fact that I had never heard of him until now is frankly a shame. He was a great ballplayer, and once he sobered up he became a greater human being. "No No: A Dockumentary" is a testament to this. 8 out of 10.

Greetings again from the darkness. Caught this one at the Dallas International Film Festival, and the most impressive part of director Jeff Radice's approach is just how much he attempts to tackle. Most baseball fans immediately associate the name Dock Ellis with his much publicized 1970 no-hitter thrown while under the influence of LSD. Radice doesn't focus on the baseball side of this story, but rather much more of the man and the times.One must be of a certain age to have watched Dock Ellis pitch (he retired in 1979), and the era must be considered when understanding his often outspoken and arrogant behavior. Jackie Robinson had long ago broken the color barrier in baseball, but it wasn't until the early 1970's when things really started to change. 1971 saw the first all black and brown lineup from the Pirates (with Dock Ellis on the mound). The blacks and Latins interviewed here recall the moment they noticed.In addition to his baseball and related antics, we get some history on his marriages, style, drug abuse and struggle to remain healthy near the end of his career. Radice scores with the numerous interviews of former teammates, as well as friends and family. Steve Blass and Bruce Kison provide a contrast to the words of Dave Cash, Mudcat Grant and Al Oliver, but the most insight comes from Ellis' friends and family. This is where we see the hope and disappointment that Dock produced.We also see the later years as Dock became a drug counselor and educated many on the mistakes he had made. Radice uses a 1981 movie called "Dugout" features former major league pitcher Bo Belinsky talking to little-leaguers about the importance of staying on the right track ... the parallels to the career of Dock Ellis are obvious.Some terrific game footage is used, but one of the most interesting moments occurs when Brad Corbet, Jr explains how his father (former owner of Texas Rangers) had interaction with Dock Ellis the player, and later with Dock Ellis the addiction counselor. There is also much made about "everyone" in baseball being on "greenies" (amphetemines) during the era ... an interesting contrast to the steroid era. The main thing we learn is that there was much more to Dock Ellis than LSD and curlers in his hair.

No, No: A Dockumentary was extremely enthusiastically received at its Texas premiere at the Paramount Theater at the SXSW Film Festival. The film is a remarkable portrait of a baseball pitcher Dock Ellis who played in the major leagues from 1968-1979, mostly with the Pittsburgh Pirates. Dock refused to conform to the norms of his time and instead became a leader of his team who was not afraid to challenge racial barriers and stereotypes. Like most first-rate sports documentaries, No, No is about much more than just sports. In a time of social change, Dock challenged those around him in an era when African-American baseball players were expected to conform; Dock did anything but conform.The film begins with the most famous element of his career that he once pitched a no-hitter while high on LSD, but it uses this antidote to explore his much more complex story. Instead of painting Dock in black-and-white terms as either a hero or a villain the film draws out the complex picture of deeply flawed and complex human. He excelled athletically despite his long-term addiction which wreaked havoc in his personal life. Yet, when he finally gets clean he excels as a drug counselor and motivational speaker trying to prevent others from repeating his own mistakes. The editing and storytelling is compelling and audience often convulsed with laughter upon hearing Dock's friends recall his often absurd antics as a player and a person. By the end, you feel like you know Dock with all of his flaws and all his humanity.