Truly Dreadful Film

This is How Movies Should Be Made

Dreadfully Boring

This is a must-see and one of the best documentaries - and films - of this year.

Let me just get this outta the way. *ahem* This movie has two scenes where someone gets kicked in the nuts. Two! For someone like myself, that's reason enough to check it out. But if you wanna know what it's about and blah blah blah, I suppose keep reading.After spending some time in the cooler Joey is now released and is looking to get his life back on track. He ends up heading home, and reunites with his brother. Staying at his bro's until he finds steady work all seems fine, that is until he begins realizing the outside world is still as unforgiving and selfish as it was before.No Way Home was a good flick. It had a lowkey and unpredictable Tim Roth running the show with a decently solid supporting cast bringing up the rear. At first the movie tends to feel like it's trying too hard (overacting), but it hits a pretty serious groove and it begins becoming a very solid flick. Most probably due to the increase in sex, adult-themed conversations and gritty violence.With some surprising developments, some nice attention to realism, and a couple kicks in the groin, this should be a nice viewing for anyone who enjoys serious drama. Tim Roth being the lead doesn't hurt the flick much either.

After a torrid 6 years in prison, Joey (Tim Roth) returns to his family home to stay with his brother and wife whilst he tries to get his feet back on the ground. Only to find his brother is mixed up in criminal activity that could violate his parole. This is an attempt at a story of family loyalty in the face of adversity, and the lengths people will go to protect the unconditionally loved.This is essentially a character piece, or least meant to be. It is worth mentioning that the story and script aren't all that bad and technically it effectively achieves the definite grittiness of its setting's social standing. There is, however, something missing in the acting department of almost every character that dares to introduce itself. It's as if they've all agreed to turn up as a favour to a friend but don't really want to be there. There are numerous points where they can't seem to be bothered to act pain. For example, at one point Tommy, James Russo's brother character, doesn't make a single sound when taking a knife in the chest. Tim Roth looks as though he thinks he's too cool to play a character that is mentally "slow". Tom Hanks could be ranked fairly highly on the cool front. Now if he has to cross the entire spectrum to play a character of the other extreme in Forest Gump then Roth only has to cover a fraction of the distance on the same scale for this role. But for an actor proved to be of ample talent, he just doesn't manage, or try, to pull it off. The budget must have been reached and breached some time before any of the heavy characters were cast. I've literally seen fights in school yards play acted better than in this film. Deborah Kara Unga doesn't do too badly but by no means well enough to pick the whole thing out of the huge empty hole it finds itself in.One other worrying thing about this is that Giovinazzo was recorded in a radio interview likening his film to On The Waterfront. I mean come on.

Just saw this film for the first time, 8-Jan-06. It conveys to me why I like Boys in the Hood and New Jack City. As a self described movie person, who only learned and saw the film maker's art through the lens of the boob tube beginning in the 1960s, I would like to recommend this movie. When the movie opened up, I just assumed a mid USA rust belt city that could be any one of thousand places. Chicago, Gary Indiana, Cleveland, etc. The ending surprised me , in that the cops from NYC showed up at their parents house. The last scenes action did not.The first half of the film I just could not stop watching. We all grow up with dreams. We all think things will be like they are in the movies. At least the famous ones. The Classics. The reality of Boys in the Hood, New Jack City and The Best Years of Our Lives, later on in the film slaps you in the face. The ending did not do it for me. Every thing leading up the ending was believable. Going back home to the old neighborhood after getting out. Getting hooked up with family. Seeing people moving on, moving to their same end. The girl who was left back and was about to by hooked up to a violent looser like Loraine's 1st husband. Diane marrying a nice quiet boy, like she thought Joey was. Joey looking around and seeing the life he thought he would have. I just could not watch the strip scene with Loraine. The last good scene was Joey and Loraine in the car talking.I would like to hope the ending was forced on the director because of perceived market forces.

An ex-con is released from the pen and returns home determined to go straight. He moves in with his brother and sister-in-law and learns of his brother's troubles with a local crime organization. The brother's problems excalate to the breaking point when the thugs demand more money than he has. This was a good show, however it had several flaws; namely the gunfire sounded like underpowered fireworks, and some of the kicks and punches were obviously not connecting. Extremely violent, with buckets of blood.