good back-story, and good acting

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

If Zsuzsa Czinkóczi, the seven-year-old lead of this harrowing Hungarian drama from '76, was competing for an Oscar this year against Mickey Rourke for his mighty performance in "The Wrestler", Miss Czinkoczi would romp it in. Her performance in "Nobody's Daughter" is beyond comprehension. I was moved to tears by this extraordinary girl's portrayal of an orphan in 1940's Hungary. Back then, the Hungarian government paid families a stipend to take unwanted children into their home. Of course, there was no vetting process to weed out couples totally unsuited to parenting, let alone adoption. We meet Csore (Czinkoczi), the doomed waif of the story, in a field of corn where she is trying to get a cow to return to its enclosure. When she follows the beast into the corn, she is picked up by a stranger and raped. Directors Laszlo Ranódy and Gyula Mészáros then cut to Csore returning home after the rape where, feeling disoriented, she takes a beating for being late and has her hand deliberately burned with hot coals by her cold, adopted father. As the weeks creep on, Csore is depicted as an abused child with an almost unbelievable resilience to tragedy. Because she spends the first half of the movie fully naked in dirty, cold, hostile surroundings, the line between the actress and the character appears non-existent. Such is the magic of truly great film-making. Eventually, Csore is abandoned by her adoptive parents and taken to an orphanage where she comes within a hair of being adopted by a caring, loving couple. A complication prevents this fortuitous transaction and Csore is sold once again to another abusive, impoverished, unhappy couple who already have other children. Once again, she is subjected to abuse and given inferior status within the house. When all seems hopeless, the sun shines for the first time on Csore when she befriends a kind, bearded old man who takes her under his wing and treats her with respect and dignity. The brief scenes of their happy times together are heart-wrenching for the stark contrast they represent. Unfortunately, the old man passes away, and Csore is alone once again. Climaxing with fury and tragedy, this ultra-realistic look at poverty and abandonment (by the state and the individual) is easily one of the most moving and grotesque portraits of inhumanity to man that I have ever seen. Only the coldest of hearts could not go out to poor Csore, a child whose plight and death felt so real to me and affected me for days. The message this left me with is that bringing children into the world should not be a right, it should be a privilege that one must prove they are worthy of. Unfortunately, reproduction is the easy part.

I can't give out many details about the movie (so as to avoid spoiling it), but I can assure you that this isn't a good movie, or it hasn't a good ending.Apart from being considerably heavy in child nudity (which is one of this movie's absolute no-no's because it can easily excite pedophiles and the so-called "David Hamilton fans" which are nothing more than just visual pederasts), it is also somewhat gory and too graphic in its display of child abuse (especially during the first 30 minutes).Absolutely for sure, I don't recommend you to watch this movie unless you really want to suffer in your heart whatever Csöre suffers there.If you are weak-hearted, then avoid this movie; if you are strong-hearted, then you might withstand this movie.

Anyone who is not familiar with the hungarian reality of 1920-40's, can not imagine what the essence of this movie is. So, even if you are not Hungarian, but want to see the movie, and additionally would like to understand it, you have to be open; you should know that different parts of the world have different histories, they have other spirits, and they could suffer and be glad in different ways than you.This film is an excellent adaptation of a masterpiece novel by Móricz Zsigmond. We can see the background of that age through Csöre's life, which only was a small part of the system, but her little impulsive existence carry the whole Hungarian reality in the 20-30's. Anyone who doesn't know what it means to run among the sharp corn leaves naked as Csöre did on the very first moment of the film, can stop watching the movie, because it is pointless.Czinkóczi Zsuzsa, who played the part of Csöre, recieved the main award of a child film festival. The director, Ranódy László, won the Hungarian Film Critics' award.

This film starts with the graphic rape of a 6 year old child who runs naked throughout the first half of the film. A good character study of how her abuse changes from the first half to the second half when she goes with a new family. I could feel her pain and lost youth, but the sight of the naked child through more than half the film bothered me. Sort of a Cinderela story without the ball or the prince, just the abuse. I won't spoil the ending just to say anticlimatic.... no justice.