Odor-Able Kitty
Odor-Able Kitty
| 06 January 1945 (USA)
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A cat, tired of being abused by everyone in his neighborhood, disguises himself as a skunk and inadvertently attracts the romantic advances of a real skunk.

Reviews
BootDigest

Such a frustrating disappointment

GurlyIamBeach

Instant Favorite.

Matialth

Good concept, poorly executed.

Matrixiole

Simple and well acted, it has tension enough to knot the stomach.

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MartinHafer

This is the first Pepe Le Pew cartoon and in some ways it's very similar to the later ones but in a few other odd ways it is not. While the object of Pepe's affections IS a cat, oddly it appears to be a BOY cat! This whole predicament occurs because a cat is tired of being abused by others and dresses up like a skunk and tries to smell like a skunk so it can be left alone. Unfortunately, this attracts our hero, Pepe. Most of the action is pretty typical until the very funny and unexpected ending--and this actually makes this one of the best of all cartoons in the series. Excellent animation (though the style is different than later examples), excellent writing and a good sense of humor make this one a keeper.

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ccthemovieman-1

After nearly getting killed by a big dog, a stray cat thinks to herself, "Why can't I be a skunk? Then everyone would leave me alone." She looks around the junkyard and gets an idea: white paint, black paint and some Limburger cheese and some garlic......hmmmm. The next thing you know, we have the forerunner to "Pepe Le Pew," although in this cartoon, she's still a cat, she's a she, and just a skunk in disguise. The cat also is enjoying and taking full advantage of her new status as a smelly skunk. He's a happy, content guy now.....until a real skunk (with the Charles Boyer imitation voice) shows up! I did appreciate the cat putting on a Bugs Bunny outfit. However, overall I never cared for these French-takeoff characters, finding the stereotypical dialog overdone and not really funny, so I only rate this as "fair." I do this a point, however, for the moral at the end of the story.

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Robert Reynolds

This short, a formative cartoon featuring Pepe Le Pew, concerns a cat who thinks he'll solve all his problems by pretending to be a skunk. Trouble is, he attracts the most unwelcome attention of an honest and for truly skunk (our hero, Pepe, entering stage left) being decidedly more attentive, shall we say, than M. Cat would like. Every great plan has its drawbacks, but this one's a corker! I wonder if Jack Warner got a call from the Hays Office over the fact that Pepe and the object of his adoration were both male. After all, Betty Boop was in part responsible for the Production Code coming into existance. Subsequent "conquests" were clearly and most definitely female. Very good cartoon, but Pepe is a character who works better as the focal point, rather than supporting. Well worth watching. Recommended.

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Angel-Marie

I've questioned the extent of the late, great, Mel Blanc's crazy character voices, and surely, this...well, I can't describe it--it's too incredible. Mel's voice for Pepe is reminiscent of Maurice Chevalier, for its boyish charm, or, to a lesser extent, Charles Boyer (though it SHOULD be noted that Pepe is only compared to Boyer because of personality, the unctuousness tone of voice, the heavily-lidded eyes, and the character name, Pepe Le Moko, from "Algiers"), which I think is a (if nothing else) perfect imitation.God, I have too much free time. I'm gonna stop now, since I have nothing to comment on this cartoon--**SPOILER**--except my favorite part was the ending where Pepe is actually a skunk named Henry with a horrible mid-Western(?) accent, a p***ed-off wife, and two smiling kids looking on as their soon-to-be bachelor father gets beaten by his wife with an umbrella.

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