Good concept, poorly executed.

Although it has its amusing moments, in eneral the plot does not convince.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

I'm a big fan of Chevy Chase and back in 1974, I actually liked the first Benji movie.But then again, I was only 11 at the time. When I saw it again as an adult, I realized it was a super sappy sentimental anomaly for dog lovers, with bad acting, apparently filmed through whatever filter they used for Doris Day movies. Not sure if it was to hide the dog's dingle berries, or the fact that the housekeeper looked like Hell ran a demonic wrinkle tractor over her face. But regardless, I liked it as a kid.I've also always like Chevy Chase since the 70's, his work on SNL and almost all of his movies... except this one.So how can they combine 2 things I like and come up with something as repulsive as this movie? It's like mixing milk and mustard. Separately, they are good, but when combined they are used to induce vomiting. This movie has the same effect, 2 worlds that just shouldn't have been combined.

One of my favorite dog films of all time and it still is to this day. None of those Kidd dog films, come close to this classic. It begins with an American Private Detective(Chevy Chase) who is living in London, is murdered while on a case. When he gets to purgatory, he is told that in order for him to get into heaven, he must go back on earth to solve his own murder. But becomes surprised he has to go back in the body of a cute dog(Benji). He does not like it, but makes the best out the rough situation. He gets help from a beautiful writer(Jane Seymour) who is writing a book on the case. Chevy Chase and Benji are perfect. Chases voice over and Benjis reactions are funny to watch. A fun comedy mystery to enjoy for a lifetime.

For the third Benji feature film, director Joe Camp decided to head far out into left field. After two films told from a dog's perspective and that consisted mostly of Benji running, it was a good move to do something drastically different, and it produced a film that matches the first one in quality.The first unusual thing that Camp did was to hire three stars who were big box office attractions in 1980--Chevy Chase, Jane Seymour and Omar Sharif. The previous two films featured unknowns.Next, he made Oh Heavenly Dog essentially a human story. The film really hinges on Chase's character, Benjamin Browning, who becomes a pawn in a relatively complex plot of deceit. Camp displayed an affection for conspiracy-like action/thriller subplots in the two previous films, but here that becomes the primary focus, and because of this, the script is better written and paced.The criminal aspects of the first two films had something of an odd fit within films that were essentially geared towards young children (as did the plethora of untranslated Greek in the second film), but in Oh Heavenly Dog, Camp aims for a combination of an older, tween and teen crowd as well as adults. This is made quickly apparent in another unusual feature--a strong sense of humor, Chevy Chase-style. There are implicit gay jokes and lots of sexual innuendo jokes here. There is also very natural sounding, light profanity. And less humorously, but also more adult, there is a bit more violence.Even more left field for a Benji movie in 1980, Oh Heavenly Dog quickly heads for the fantasy genre, and through this, Benji becomes and remains something of a fantasy character. It's a move that's completely unexpected, plotwise, but it works remarkably well. Camp's purely fantasy settings and characters are very entertaining and even a bit charming.Because of the plot and Chase, and maybe somewhat as an intentional move directorially, most of Oh Heavenly Dog plays like a typical Chase detective film, like Foul Play (1978), or like the Fletch films (1985 & 1989) that came later. I hadn't paid much attention to Chase for awhile--I was one of the people a bit turned off by his off-screen behavior, as evidenced in his interactions with the Howard Stern Show, for example--but Oh Heavenly Dog has reawakened my interest in him, because he's excellent here. It's reminded me of how great he was in so many other films, even including later ones like Man of the House (1995).And what a coup Camp managed in getting the music he did for Oh Heavenly Dog. Paul McCartney's "Arrow Through Me", one of my favorite solo songs of his, fits the film perfectly. Euel Box even gives us orchestral variations on it throughout the film. Camp also managed to get a couple Elton John songs, and used Mussorgsky's Pictures at an Exhibition for an art gallery scene. The music helps support an already fantastic film.

this movie was an absolute pile of gopher. when i say gopher, i mean that small brown burrowing creature from northern america, yes that thing. Possibly has higher IQ than Chevy Chase, who put in a dismal performance for this movie. In fact, the star of the film, Benji, did not need a vet, groomer, or trainer, while Chevy Chase needed all of these things, including a bowl of water, plate of biscuits and a deluxe sized "Kitty Litter" tray. Unfortunately, most of Chevy Chase's salary for this movie (about 12 million $Us) was spent on such items, an estimated Us$3.5 million was spent on "Kitty Litter" alone. Anyway, this movie was so incredibly horse that it should be banned in all countries over the world, except the USA, they made it, they can suffer with it.