Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Full disclosure- if you don't enjoy Broadway shows, subtract one star from the rating, and if you don't live in New York, subtract another. The humor is unapologetically slanted to a New York theater audience, but it is, after all, a limited run Broadway show.Mulaney and Kroll inhabit their characters so comfortably and completely that one tends to forget the men behind them. A two-hour show of self- absorbed, borderline delusional caricatures is so reminiscent of Steve Martin's early comedy that his cameo in the middle of the show feels like a foregone conclusion.The jokes are fast paced but the premise never seems rushed. The performance is loose, but scripted and theatrical enough to feel substantial. I've watched it twice. Highly, highly recommended to comedy fans.

I went into "Oh, Hello" knowing very little, and I think that's the best way to go into this. "Oh, Hello" is a weird and stupidly brilliant mix of stand-up and theatre, and as a passionate fan of both of these mediums, I absolutely loved the way Nick Kroll and John Mulaney blended and created this performance. "Oh, Hello" is unique, original, and interesting, and should be considered essential for theatre and stand-up fans. The characters of George and Gil are well executed and extremely fun to watch, and I absolutely love this special. It is one of the most quotable pieces I have ever seen. Don't get me wrong, there are flaws here. The show tries to tackle a lot of different things; an interview, standup, a story, a "ballet", and all these elements are well meaning and pretty well executed, but sometimes, particularly during the interview, they feel a little bit like lulls in the performance. A lot of the jokes, as well, are very New York based, about specific parts of living in and being in New York city, and if you're not familiar with NYC then these might go over your head, even though they're quite poignant and funny. That being said, the elements that Kroll and Mulaney introduce here are extremely interesting and entertaining, and make the show incredibly unique and fun to watch, and if you like performance art of really any form, you'll probably enjoy this. "Oh, Hello" is an excellent example the great kind of creative content a platform like Netflix can provide, and is definitely deserving of at least one watch. 9.5/10

What the hell... this is so poor and so not funny, maybe if you are a New Yorker you might think it is. I wanted a good laugh and so got this film. It's vaguely and slightly amusing at the start but then just bores. How these two make a living out of this poor form of writing is hard to believe. Don't waste your time unless you somehow like these guys humor, I did not get it at all and regretted watching this movie.