I love this movie so much

Good concept, poorly executed.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This is basically part 2 of Leni Riefenstahl's coverage of the 1936 Olympic Games. It has a very different feel and approach in comparison to the first film and very easily stands on its own apart from that film.For one thing the propaganda in this film is very much less than in the first film. I spotted one swastika and I was looking for them. The political figures of the Third Reich, who make their presence obvious in the first film are absent in this one.Where the first film covered many of the traditional track and field events in the stadium of the Olympics, this one covers gymnastics and many non track and field events.Events covered include yacht races, rowing, a bicycle race, field hockey, soccer, the decathlon, some specifically military events, and men and women's diving. Additionally there are some equestrian events that I found particularly interesting.Most of the events are accompanied with on the scene commentary and followed by announcing or presenting the medal winners. The exception to this comes near the end with the men's diving competition. This is presented to music and edited so that it looks more like aerial ballet than a sporting event.I highly recommend this film.

This is a fairly good companion piece to the first film. Even though it doesn't have the emotional impact of Jesse Owens exploits you did get to see some of the great performances that took place during "Hitler's Games". This film and the first film will always be remembered as two of the greatest sports documentaries every produced.

If this film was never made, the current camera movements and angles we see today on television would probably never exist. Given unquestionable freedom, Leni Riefenstahl created a film which is bold in composition and visual aptitude. The motions of athleticism are caught beautifully, especially the diving sequence and the running sequences. While many will say Riefenstahl was a pro-Nazi film maker, one cannot deny the innovation she instilled in the art of film making. If you can take the near 4-hour running time and the fact there is no dialogue in the film, then experience this film for the power and breathtaking visuals, not the supposed pro-Nazi agenda.

I watched this film in my International Cinema class, and it was quite interesting. The movie starts out rather oddly, with naked bathing men and about 8 dialogue-free minutes of various people working out. The best part of this film (for me) is near the end. It was the men's high-dive section. Leni set the camera up under the divers and, as they fall, they look as if they're flying. The viewer loses almost all sense of which way is down as they watch the diver tumbling/soaring through the air.Another enjoyable part is the horse-riding section, which plays out similar to an ESPN blooper reel, with riders falling from their horses on difficult jumps. But in this film, it's much more gorgeous through the help of slow motion and fairly tight framing.All in all, a well crafted documentary.