SERIOUSLY. This is what the crap Hollywood still puts out?

Good story, Not enough for a whole film

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

One of the best movies of the year! Incredible from the beginning to the end.

I love figure skating. It's my favorite Olympic sport and Lord knows it has it's eccentric, bizarre side which is why it was ripe for a mock documentary like this. However, director Slovin (who also co-wrote the screenplay) is no Christopher Guest. What Guest did to community theater (Waiting for Guffman), dog shows (Best in Show), and country music (A Mighty Wind) is inspired lunacy. One can only wish that he'd taken on this subject as well. Slovin is simply not up to the task. Not by a long shot!The over-the-top writing is only intermittently funny. The direction is slow and clunky! A lot of the jokes are forced. Most of it is downright stupid. The reason Guest succeeds in his mockumentaries is because he takes the original subject matter very seriously. His players and situations are very true to life. That's what makes them funny. The characters in "On Edge" are not so skillfully veiled tropes of real people like Tonya Harding, Nancy Kerrigan and Michelle Kwan. They are not conceived properly and in the end simply become annoying and unreal. It doesn't help that the three female leads cannot do anything with the material. The idea of an ebullient, overweight skater may work for a five minute Saturday Night Live skit, but over the course of 90 minutes it strains the reality of a real or fake documentary. There aren't any people like this. A 250 pound skater could never do a triple jump. So instead of poking fun at the real world of skating, Slovin invents fantasies to satirize, weakening the entire movie as a result. The movie actually reminded me of another mockumentary "Drop Dead Gorgeous" about a regional beauty queen contest. The difference is that in that movie the girls competing are totally believable. It's hilarious! The female figure skaters in "On Edge" are not.Jason Alexander gives one of the worst performances of his career. He is embarrassingly dull. He adds little to the movie. And why would a documentary film maker spend so much time with a Zamboni driver in the first place! He should have been smart and passed on the movie. Chris Hogan as the documentary film maker is square in delivery and hopelessly miscast. You don't believe he's a film maker at all! It would have been better to have the character an unseen person behind the scenes. John Glover has a few funny moments as an over the hill Russian skater but the barely acceptable accent wears out its welcome fast. And ice skating legend Scott Hamilton delivers a horrid, unfunny, overly broad, embarrassing performance as a prissy, chain smoking, yellow toothed, bad hair day skating judge. You wonder what he got paid to debase the sport this badly. Adding insult to injury, other skating legends like Kristi Yamaguchi, Robin Cousins, Peter Caruthers, Randy Gardner and Ty Babilonia appear as competition judges. Did none of them realize how bad this movie was.Well, the studio did. They sent it right to video. And if you see it in the video store, spare yourself. If you must have a figure skating movie, try "The Cutting Edge"! That at least honors the sport!

Being a huge fan of mockumentaries, I liked the premise of "On Edge." Figure Skating is a great opportunity to create something very funny and original.That being said, this movie was so bad it was unwatchable. One of the big reasons I wanted to see this movie in the first place was because of the inclusion of Jason Alexander in the cast, but his performance in this film is painfully bad. I couldn't tell if it was because of over-acting or under-acting. Nothing about this movie seemed to flow. The jokes, if you even want to call them that, were so far away from funny that I found myself cringing at times. By calling this a mockumentary, "On Edge" taints what is usually a funny genre. "The Spinal Tap of Figure Skating" this movie is not.If you want to see how Mockumentaries are supposed to be done, then rent "Spinal Tap," "Best In Show," "A Mighty Wind," etc. Save yourself the $3.50 and do not rent "On Edge."

Whoever wrote the positive comment on this movie had to be working for the production company. This movie was so mean spirited, stupid, and unfunny. How many more fat jokes could they make? What was up with the gross character played by Scott Hamilton? He should be ashamed for making this movie. How could Kristi and Tai want to be associated with this disaster? What happened to Jason Alexander's acting skills? Did he leave them all on the set of Seinfeld?It didn't gently and affectionately poke fun at the sport, like Bring it On did for competitive cheerleading. It consistently stressed that all skaters are bulimic psychopaths, all the mothers are desperate middle aged hags trying to regain their lost youth, and all the judges are biased snobs whose scores can be bought with sexual favors. I was waiting for the gay jokes to come out but with no male skaters I guess the writers just couldn't figure out how work them in.I am not against dumb but funny movies, but this movie was just depressing. Don't waste your time.

ON EDGE is the WAITING FOR GUFFMAN for the figure skating world. Hard to say who is funnier, Jason Alexander as the Zamboni driver at a two-bit SoCal skating rink, or Scott Hamilton in disguise as an insane amateur skating judge. Both serve as commentators who guide a documentarist/professor (played by up-and-coming comic Chris Hogan), as he tails three hopefuls vying for the regional figure skating championship. Seen at the HBO US Comedy Arts Festival in Aspen last week, this film played to a full house. Everyone laughed at the funny bits -- and a couple of women seated near me actually cried at the heart-stopper of a false ending. Excellent performances combined with strong storytelling all point to primo directing by Karl Slovin, who covers skating from a couple of striking new angles (literally, some gorgeous birds' eye view photography). There's good broad comedy from John Glover as the crazy Russian rink owner and Wally Langham of HBO's Larry Sanders Show fame playing a coach -- but the standouts here are the utterly convincing AJ Langer, a Tanya Harding worth rooting for, and Barret Swatek, the cold beauty.The story, which at first blush seems quite familiar, sneaks up on you and defies pat answers because the characters show unexpected depth. At first I was surprised by some of the plot points -- but on second thought they not only made perfect sense, but they conveyed an actual moral. While none of the characters is a saint, about the time you get to your car you realize that the gal who wins is the only one who fights fair. Music and Editing keep ON EDGE on pace -- none of the usual snail-slow indy bog, unlike more celebrated films at this festival.Worth seeing.