Touches You

Good concept, poorly executed.

As Good As It Gets

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

On the Fiddle is a passable film with Alfred Lynch in a rare leading role as Horace Pope a spiv type scam artist who ends up being sent to the army by a judge.Once he has joined up he teams up with dim witted but amiable squaddie Pedlar Pascoe (Sean Connery) who tags along with his money making schemes and provides the brawn to his brains.The duo accidentally become war heroes, then end up running a pub serving US based soldiers.Connery would go on to become James Bond a year later so here is a role where he is kind of cast against type. Lynch better known as a shifty type character actor rather enjoys being in the limelight as the star but he really is charmless and unsympathetic here, more a third rate and not nice Sergeant Bilko.

A charming little piece, harking back to life during the 2nd World War, with the same rose-tinted spectacles worn by Captain Mainwaring in The BBC comedy series 'Dad's Army'. But this isn't a period piece; it's a comedy. And an interesting one of note because it features Sean Connery in one of his earliest lead roles, before the 007 role catapulted him to stardom.What raises this above the usual comedic fare is the excellent bond (pardon the pun) between the two mismatched characters. Connery is the conscience, and manages to keep his companion in moral check. But he also yearns for front line action, anathema to his colleague's sense of survival. Thus the cheating character is one we can sympathize with and actually believe he's looking after Connery's best welfare.Of course in the end they do finally see action, and after most of the film playing second dumb fiddle, Connery takes the lead and convinces his buddy to make the correct moral choice, helping save the lives of allied soldiers.The only one real flaw is the sudden ending which is humorous only really in its abruptness, but overall I found this film to be an entertaining surprise. Great underplayed role from Wilfrid Hyde-White, and spot some British favourites in early roles.

'On the Fiddle' is OK, and won't let you down on a quiet afternoon. It's more interesting for the fact that it's a comedy war film from the point of view of the average soldier, and the officers who do appear are shown as complete idiots. Nowadays this is a given, but in 1960, when the UK still had conscription, to make a film like this was to take sides in the social changes that were happening. It's a forerunner of 'Kelly's Heroes' on a tiny budget, and it looks like it was fun to make, so you can't judge it too harshly. And there are few better than Sean Connery at buddy movies. In a way, it shows how Bond constrained Connery for the years he did it, and I wish there were more films of the time with him not wearing a toupee or being a psychopathic MCP.

Sean, you know I think that you are absolutely the greatest actor in the world, but I can't commend you for this. Comedy just isn't your strong suit.However, it wasn't all your fault. Some of the stuff was just too hard to understand. Alfred Lynch did a decent job, but you gotta wonder where the lines came from from the beginning.Once again, Sean... I apologize.