Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Predictable Danny Kaye farce with the beauty Gene Tierney attempting to leave drama and go to comedy for a change. Ms. Tierney probably knew that her forte was the former.We know what's going to happen when Kaye impersonates a debonair look-alike who is having financial difficulties. We know the latter will show up and cause some comic complications.The cinematography is beautiful and the songs, some of them written by Kaye's wife Sylvia Fine, are flamboyant. Kaye does brief take-offs on Carmen Miranda and Jimmy Durante. They would have been hilarious had he been allowed to pursue them.

First of all, I must confess that I haven't seen the original Chevalier film on which "On the Riviera" is based. However, Fox recycled the plot before this film for "That Night in Rio" with Don Ameche, Alice Faye, and Carmen Miranda in the Danny Kaye, Gene Tierney, and Corinne Calvet roles. I think "Rio" is far superior to "Riviera." The plot is much better paced, less frantic and frenetic (although that may simply be the difference between Ameche and Kaye as performers). For me, a little Kaye "shtick" goes a long way, and the more he uses it, the less amused I get. In this film, he lays it on with a trowel. Fox dipped into the well once too often. The only saving grace is the lustrous Tierney in luscious color.

Not all Danny Kaye films have lasted well. In my opinion the two that have are "The Court Jester" and "On The Riviera"."On the Riviera" is a superbly mounted comedy, with gorgeous Riviera scenery, lavish sets, and some ravishingly beautiful women. The mistaken identity plot is an old one but there great scenes of confusion and some good and sometimes surprisingly suggestive dialogue, unusual for the time especially in a Danny Kaye movie.Dance routines are imaginative and energetic with some statuesque and eager looking chorus girls. Gwen Verdon does a specialty number.Thoroughly enjoyable, it stands up to repeat viewing.

My axiom is that any movie featuring Gene Tierney deserves to be viewed, and "On the Riviera" is one of them. The plot is a moderately funny comedy of errors, with Danny Kaye in the roles of an American cabaret-entertainer and of his double, a French hero-aviator. The acting is generally good. The photography is accurate, with bright, spirit-raising colors, worthy of the beauties of the Cote d' Azur (but the movie appears to have been largely made elsewhere). Kaye performs a number of nice, though longish, ballets. Gene Tierney has the opportunity to show her talent just in one scene, when she is uncertain whether she has slept with her actual husband, the pilot, or with his American double (by the way: a bit salacious situation for the early fifties, isn't it?). With her usual professionalism, Gene doesn't steal the show to the pretty Corinne Calvet, who in fact has a larger role. In any case, as soon as Gene appears on the screen, the movie soars: the splendor of her eyes obscures the sky and sea of Provence. After all, "On the Riviera" is an enjoyable movie, especially for fans of old classics.