On the Run
On the Run
NR | 30 January 2004 (USA)
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Après quinze ans passés derrière les barreaux, Bruno, qui prône la révolution prolétarienne, s'évade. Ce dernier veut continuer la lutte, faire sortir ses camarades de prison, libérer les masses du joug capitaliste. Tous ses anciens alliés n'y croient plus, même Jeanne qui s'est mariée et a maintenant des enfants.

Reviews
Mjeteconer

Just perfect...

Listonixio

Fresh and Exciting

AnhartLinkin

This story has more twists and turns than a second-rate soap opera.

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Salubfoto

It's an amazing and heartbreaking story.

runamokprods

The first part of Belvaux's 'The Trilogy', where three films with very different tones overlap some characters and incidents. This first part is a taught, well made, violent thriller, following an escaped communist revolutionary, determined to return to the bombing and violence that put him in jail 20 years ago, while settling old scores with enemies, and re-contacting old allies. Belvaux shows daring in not working to make his character very sympathetic, and allowing our initial almost automatic sympathy for our lead character to be ever more harshly challenged. We come slowly to realize this is a violent zealot, unmoved by the fact that the revolution that seemed to make sense as a young man now seems arbitrary and insane, and that his callous disregard for his victims isn't much of a start on a new world order. In a vacuum, this dark, cynical noir would still be a good film, but with the next part of the Trilogy, it gains in levels and meanings. There are real flaws here – a few plot twists are hard to buy, some character behavior unclear (although less unclear after part 2). A guy this smart wouldn't make a couple of the mistakes he does. And the score is frustratingly repetitious. But it's never boring, always involving, and with the next film, it's something more.

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Polaris_DiB

A man escapes from prison. He then tries to meet his old contacts and re-organize his underground inner circle involving drugs and revolution. However, he does this only to find that most of his fellows-in-arms are either dead, locked up, or have abandoned the revolutionary lifestyle and *GASP!* sold-out by getting families and jobs! Discovering this lack of societal significance, he is eventually forced to flee the country, after which he both literally and symbolically falls into a gap of nothingness. Aw, what a shame.(That's it, by the way. That's the whole movie. Erm... spoiler alert?)As a technical treat and a minimalist story, it has its value and it is interesting to watch. It's just a little obnoxious to follow a movie about a person grasping to uphold his values only to "randomly" (as a point) fall into a blank hole. I get it, but I don't care for it.--PolarisDiB

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cmw-4

This is just about the best film I have seen in the last 5 or so years.The acting, direction, cinematography and editing are all first class and the unintrusive yet effective soundtrack music using just a double bass was inspired. Lucas Belvaux has produced a masterpiece and assembled a superb cast to bring the story to life. The final scenes as he climbed the snow-covered mountain made me feel as if I was there with him - brilliant. The quickest 2 hours in a cinema that I can ever remember. I am really looking forward to the rest of the trilogy.

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amzo

I saw this film at the SF International Film Festival, and unfortunately was only able to this one film out of the trilogy. Yet I enjoyed this film greatly, and have not seen many thrillers like it. Using very little dialogue, it follows the life of a former militant leftist who just escaped from prison. He finds himself trying to live the same life he left 15 years ago, yet he finds trouble in trying to flee from the police and detectives. Very good cinematography and well acted. The ending itself is my favorite part (I won't give it away!), even though it may not follow what one would think to happen logically. I highly recommend seeing this film, and hope that I myself as well will be able to see the complete trilogy.

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