It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

While watching ONCE UPON A MATTRESS and seeing Carol Burnett as Queen Aggravain, I immediately realized that she must have played Princess Winnifred in the original version of the show in the '60s. This became all too clear when I saw that Tracey Ullman's daffy princess was lacking a certain spark that Burnett would have given to the part--plus she was a little too mature for the role to begin with.Denis O'Hare seemed another case of miscasting as Prince Dauntless, a role could easily have been played by Matthew Morrison, who instead was saddled with a boring secondary role.But despite these misgivings, there's much to like about this rowdy version of the tale, vibrant with colorful sets and costumes (particularly Burnett's jeweled outfits) and some witty lines that are tossed about by a capable cast. But there's always the feeling that something isn't right--and not being able to compare this version with the original I can't say what it is but I see from other reviews that much of the original material was altered or deleted entirely. Perhaps this is why there's a feeling that it could have been so much better.Summing up: For Carol Burnett fans, it's a delicious chance to watch her play broad comedy with such finesse. She never misses an opportunity to ham it up but keeps it from being too over-the-top to be enjoyable. And while the choreography could have been more inventive, Tracey Ullman gives all of her energy to some of the dance routines with some very funny results. Unfortunately, Tom Smothers is wasted in the role of the mute King Sextimus. But all in all, it's a fun version of a fractured fairy-tale, based on "The Princess and the Pea."

I have to agree with many other viewers... many things have been "Disney"fied. However, I want to point out that O'Hare needs a little more credit here. His character is somewhat weak, so his "sloppy diction" (which, all rabid Broadway fans knows he is known for) actually seems to endear him to the part. Burnett shines especially, and Deschanel is charming. All in all, it's good fun to watch, but don't get your hopes up too high. This is obviously a kid-friendly, super colorful, bit of fun. No off-color humor here, so for those of us with a more wicked sense of humor, we'll have to wait a little longer!

In the vein of the classic, 1997 version of "Rodgers and Hammerstein's Cinderella", Disney released another delightful piece of eye candy, "Once Upon a Mattress", the musical twist on "The Princess and the Pea". "Once Upon a Mattress" is actually quite risqué for a Disney film. Oh, it's hardly HBO-worthy stuff, but not many ABC family movies lightheartedly deal with premarital sex, latent homosexuality, and the most shocking Oedipal relationship since Angela Lansbury and Laurence Harvey in "The Manchurian Candidate".Hypersensitive/conservative parents better beware. For everyone else, it'd be a shame to miss the incomparable Carol Burnett (who originated the role of "Princess Fred" in the 1959 production of "OUaM") as the domineering Queen Aggravain, mother of meek Prince Dauntless (Denis O'Hare). When Prince Dauntless falls hard for robust, vivacious tomboy Princess Winnifred(Tracey Ullman), or "Fred" as she likes to be called, Queen Aggravain determines to sabotage the relationship by giving Fred a test she's convinced she'll fail. It's up to the mute King Sextimus (Tom Smothers), and dewy-eyed, pure hearted lovers Sir Harry (Matthew Morrison) and Lady Larken (Zooey Deschanael) to stop Queen Aggravain. The costumes nearly steal the show, rich with explosive colors and sumptuous designs (Burnett's jewel-drenched costumes are designed by none other than Bob Mackie). Ullman gets wears yummy gowns of red and gold velvet, and Deschanael looks every bit the fair maiden in delicate, candy-colored silk dresses and rosy cheeks. The songs are also catchy and hummable, ranging from bombastic to ironic. I was surprised at what an incredible belter and game dancer Ullman was! In the show stopping number "Shy", she slides down poles and gets tossed about, Eleanor Powell-style, without missing a beat. Burnett shows that, even in her '70s, she's still a performer to be reckoned with, delivering the rather disturbing number "That Baby of Mine" with the hip-swiveling conviction of a burlesque dancer. All the couples have just the right amount of chemistry and a hell of a good time is had by all. Join the fun and don't be shy!

This is the first time I have seen any version of "Once Upon a Mattress". I thought Carol Burnett was wonderful as the domineering, often emotional and sometimes quite evil queen. And she could even sing. Tracey Ullman was outrageously quirky, especially when she tried to go to sleep. She could also be warm and pleasant, and she even had some singing talent--if that was her. Her first musical performance was more funny than anything else. Tom Smothers did quite a good job as the mute king, who could not talk after being cursed. Denis O'Hare also delivered. Zooey Deschanel and Matthew Morrison were very talented singers and did okay at acting. And Michael Boatman was very funny as the Jester, and Edward Hibbert deliciously evil as the Wizard.I would say this was clean enough for most children. I questioned the TV-PG rating until I heard a reference to premarital sex. But unless a child knows where babies come from, this would be meaningless. It might lead the child to ask where babies come from, and of course King Sextimus gave his son a hilarious explanation of the process which never really got to the point. Especially since it was all in mime.There was also a double entendre from Winnifred, but it would go over most kids' heads.I enjoyed the music for the most part. Despite the medieval setting and costumes, a lot of the music sounded like Rodgers and Hammerstein. Winnifred also performed a sultry jazz number that seemed appropriate for a stripper. The dancing and costumes also impressed.I won't say it was a Disney classic, but it was certainly up to the usual Disney standards.