This is a must-see and one of the best documentaries - and films - of this year.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

'One in a Million' is interesting for being Sonja Henie's first American film and raised her to international stardom. Henie does not disappoint and is one of the top attractions, but the film on the whole does.Henie is one of the two best assets of 'One in a Million'. She is pert and charming, and the camera clearly loves her. Her ice skating is also out of this world. This is advantaged by the choreography for the ice skating sequences, which are enough to make the jaw drop by their imagination and verve.Furthermore, 'One in a Million' is lavishly shot and sumptuously designed, and while not timeless and none of them are standards the songs are pleasant enough, the best of them being "Who's Afraid of Love".Don Ameche is a very likable leading man, and his chemistry with Henie charming. Arline Judge brings snappy line delivery to 'One in a Million's' best lines, while Jean Hersholt is a gently low-key father figure and Ned Sparks is amusingly acerbic.However, the story is wafer thin and lacks energy, with much of the comedy floundering Judge and Sparks aside, while the script is even thinner and even duller. Adolphe Menjou, apart from a few nice moments with Judge, wildly overacts, shouting his way through his lines broadly.There is too much of the Ritz Brothers, and their slapstick is bizarre and irritatingly childish at times. Also could have done without Borrah Minevitch and his Harmonica Rascals, legendary as musicians but comedy, which is tedious and grating, is not even close to being a forte.In conclusion, a mixed bag of a film with great things and poor things. 5/10 Bethany Cox

I am a long-time, huge Sonja Henie fan. In the figure skating world, she was an innovator and a champion; she also had a wonderful personality which always shone through. Today, the art of ice skating has progressed to the degree that almost any young figure skater can easily replicate what she did and more. But that's beside the point. Unfortunately this, her first movie, was not a good vehicle for her, and her subsequent movies for 20th-Century-Fox were very much better. I think OIAM would have been so much better without the childish shenanigans of the Ritz Brothers and the silly antics of Borrah Minevitch who happened to be a first-class harmonica player and should have been allowed to play his music without the comedy.The rest of the cast was all right, but nothing to rave about.The songs were instantly forgettable and I'm pretty sure that no one came out of the cinema whistling the title song – or, for that matter, any of the others.I don't think this was a marvelously entertaining movie and cannot recommend it to any but the most die-hard Sonja Henie fan. By all means, go for any of the others.

SONJA HENIE made a few very dazzling skating films but this is not one of them. The only saving grace for watching this is to see DON AMECHE as her singing co-star who does nicely with an uninspired song number and gives his usual charming and natural performance.Unfortunately, surrounding Henie with a talented supporting cast did not work in this case. THE RITZ BROS. routines wear thin pretty fast and carry on for much too lengthy a time. The Harmonica Gang is a clever act but, again, too much footage devoted to their antics which, I believe, were shown to better advantage later on by The Ed Sullivan Show TV appearances.The thin story is loosely based on Henie's own beginning as an Olympic Champion but is strictly formulaic in the telling. Henie's skating routines are hardly the best she ever offered on film. Indeed, one has to sit through long stretches of film dominated by the supporting actors in order to see even a glimpse of her on ice.Adolphe Menjou must have thought the microphones weren't carrying his voice properly. He shouts all of his lines in what has to be one of his poorest performances in a comedy role. Arline Judge has some snappy one-liners to throw at him, but most of them are so mild that they fall flat. Fortunately, Jean Hersholt gives a nice, low-key performance as Sonja's caring dad.Sorry to be so negative, but I did look forward to seeing Sonja in her American debut on film. She was later given much better material in her subsequent films--especially in SUN VALLEY SERENADE and WINTERTIME.Her camera style had not yet been developed. The make-up artist has given her an unflattering hairdo (the plastered down curls in typical '30s style) and the cameraman did not capture the Henie personality as was done in all of her later films. Zanuck obviously decided to keep her lines to a minimum and throw most of the story and routines to the supporting cast. It doesn't work.Strictly thumbs down on this one. Thankfully, there were better films in her future.

"One in a Million" is a cheery, lighthearted mix of comedy, romance, songs and ice skating dances, directed by Sidney Lanfield ("Sing, Baby, Sing"). It is an admirable vehicle and showcase for the Norwegian Olympic skating champion Sonja Henie in her American debut. The film derives some aspects from Sonja's career. Sonja plays an amateur Swiss skater who is discovered by an American theatrical troupe leader (Adolphe Menjou) and almost spoils her by putting in a professional show until a charismatic reporter (Don Ameche) rescues her and convinces her into making the right decision, leading to her spectacular performance at Madison Square Garden."One in a Million" is not one of the better Fox musicals, but there are enjoyably fine moments, including some very funny comic acts by the Ritz Brothers, especially toward the end, and one memorable musical number "Who's Afraid Of Love", sung by Ameche. Good stuff.