Best movie of this year hands down!

i know i wasted 90 mins of my life.

Better Late Then Never

This is a must-see and one of the best documentaries - and films - of this year.

The two very famous stars (at the time, in the notorious Frank Sinatra orbit), in their mid- to late-forties, were playing silly "hip" and "mod" types, in a typical late 60s Silly-British-James-Bond-Rip-Off.Apparently this movie was a sequel to "Salt and Pepper" (which I have not seen), about two nightclub owners Salt (Sammy Davis Jr.) and Pepper (Peter Lawford). It's not as weird as it seems back then, stars were stars even if they were middle-aged. These days if you're over thirty you can't be a lead; but in the good old days of freewheeling movie-making you could be in your fifties and a heart throb. And this movie is pretty freewheeling, as it was directed by the totally unprofessional Jerry Lewis, Dean Martin's sidekick and most famous these days for telethons and running around yelling, "Lay-dee! Lay-dee!" Jerry Lewis was a megalomaniac of the worst kind, one with no discernible talent. He does a lousy job which was a shame, since Sammy Davis, Jr. had enormous talent. He could sing, dance, act and do voices. He was one of the most talented individuals in the public eye in the twentieth century and it shows through. But mostly, Lewis lets Davis run around with as little discipline as himself.Everything looks like it might have been put together by amateurs for a college course. The plot is silly, but lots of them were back then. It was a kind of "deconstruction" of movies in the late 60s. Watch Tony Curtis movies like "Arrivederci, Baby!" or Dean Martin's "Matt Helm" flicks (which may have drawn Lewis to this project, as he always liked to play "catch up" with Martin). Silly was in, but this flick was hardly as well done as later with the Abrahams/Zucker or the Farrelly Bros.Apart from keeping Lawford and and Davis in the public eye and keeping them "cool," I can't think of a reason for making this movie at all. The plot is silly, the acting is on par with people who know they're doing a picture of little value, and Lewis made a hash of the direction. It's one of the movies you watch through just so you'll never have to see it again.Highlights: 1) Mix-up of the opening credits (you know you're in trouble if that's the best part); 2) a couple of good cameos in unexpected places (okay, if you're in imdb you can see Christopher Lee and Peter Cushing are in it; and though they're only there for a few seconds, they lift the movie momentarily.

An unfunny disjointed mess of a movie. Directed by Jerry Lewis, it's apparent the movie was a vehicle for Sammy to channel the comedic stylings of Lewis. Safe to say, Sammy is no Jerry.The plot has Lawford assume the identity of his wealthy slain twin brother by getting the police to believe it was his character (Pepper) that was killed. And he keeps this little secret from his best buddy Sammy (Salt). Movie moves to big castle and no hilarity ensues.Lewis has Sammy engage in some comedic 'bits' where Sammy has difficulty crossing the street, difficulty with a teapot, difficulty with a water heater and unwittingly encountering some Satanic ritual. All fall flat. Really flat. The teapot scene was just pathetic.And unlike their earlier pairing in 'Salt and Pepper', Sammy and Lawford now seem devoid of chemistry. 'One More Time' is for Jerry Lewis and Rat Pack fans only.

Even if you don't like the earlier film, "Salt and Pepper," you have to admit that it is a paragon of structure and traditional storytelling compared its sequel, "One More Time." That's not to say that the second Davis Jr/Lawford team up isn't enjoyable--it is just bizarrely different from the original. "Salt and Pepper," directed by Richard Donner--veteran director of some of the Sixties' best TV series, and later of the classic action/comedies in the Lethal Weapon and Superman series of films--was a light and breezy "Rat Pack" action/comedy. It was wholly conventional for its time. But when it came time for the sequel, the producers apparently decided that the success of the first film was due more to the comedy elements than the thriller elements. With that in mind they made the obvious choice for their new director—Jerry Lewis. The singular Lewis had never directed a film starring anyone else but himself, so I'm not sure what the producers expected would happen. Well, the result was that Jerry didn't just add a few comic touches to the already proved formula. He took the thing over entirely and made "One More Time" a pure 100% Jerry Lewis film, with all that means for good and bad. If you're familiar with Lewis' film-making, you know that his films are very light on plot (ranging from hardly any as in "Cinderfella" to none at all as in "The Bellboy" and "Hardly Working.") and very heavy on surreal jokes, visual gags and his own patented mugging and clowning. Well, the plot of "One More Time" is this: Lawford impersonates his rich brother, who is mysteriously murdered, and Davis Jr. doesn't figure it out until near the end. That's about it. The film is 90 minutes long and at least an hour of that is just Sammy Davis Jr. doing a spot on Lewis imitation in a series of increasingly strange and barely connected (but often funny) vignettes as he rambles about in Lawford's ill-gotten English manor. If you go into this film expecting anything different (as the audiences in 1970 did) then you're going to be sorely disappointed (as the audiences in 1970 were). But if you go in expecting a Jerry Lewis film—you get a pretty good one!

I've always had a soft spot for 1968's 'Salt & Pepper', in which Sammy Davis Junior and Peter Lawford played 'Charles Salt' and 'Christopher Pepper', trendy London nightclub owners caught up in an espionage plot.Two years later, the dynamic duo were back, only this time the results were nowhere near as successful.The Salt and Pepper club has been closed down by the police, and they have to pay £500 each or face prison. Pepper asks his snooty rich twin brother, Lord Sydney ( also Lawford ), for the money. The lord agrees provided that both men leave the country for good. After a heated row, Pepper decides to get his own back by impersonating his twin in order to secure a free meal in a posh restaurant. Returning to Lord Sydney's apartment, however, he finds him dead, shot by an African blow-pipe. The sneaky Pepper decides to go on play acting, and make the world think that Christopher Pepper is now dead. The killers are still out there, however, and want back the diamonds Lord Sydney stole from them...So we have moved away from the world of espionage and into the realm of crime, making the film an altogether different affair, lacking the wild action sequences of the first. Replacing Richard Donner in the director's chair is none other than Jerry Lewis. We get an idea of what a Lewis and Martin film might have looked like had one been made in the late '60's. Davis Junior, in particular, behaves like Jerry, especially in the scene where he prowls around Pepperworth Castle to the accompaniment of the theme to '2001: A Space Odyssey', released two years earlier. Another funny moment is when Tombs ( Sydney Arnold ) the elderly butler lumbers into Pepper's dining room. By the time he reaches them with the food Salt and Pepper have acquired five o'clock shadow.Like a lot of Lewis' movies, there is an unfortunate tendency towards sentimentality and self-indulgence. Salt's grieving for his friend brings the comedy to a screeching halt, and his impersonation of 'The Chocolate Dandy' should have been left on the cutting room floor.Michael Bates' incompetent 'Inspector Crabbe' was supposed to reappear ( he is in Michael Avallone's novelisation ). Instead we get Leslie Sands as 'Inspector Glock', who's nowhere near as amusing. The book also suggests that the movie was written originally for a much bigger budget; there is a funny scene where Salt and Pepper wreak havoc in an aeroplane. It is not in the finished film.As was the case with 'Salt & Pepper', the British supporting cast are first rate, in particular Allan Cuthbertson, Dudley Sutton, Anthony Nicholls, Moultrie Kelsall, Peter Reeves, Bill Maynard ( as a Bondian villain with a shaved head ), and Glyn Owen. The music was by Les Reed, co-composer of many Tom Jones hits. Check out Pepper's groovy lounge; you need sunglasses just to admire the decor.Things To Look Out For: a cameo by Christopher Lee as 'Count Dracula' and Peter Cushing as 'Baron Frankenstein'! Not up to the first film then, but some good moments on display and overall a lot better than many of the Lewis vehicles of that period.