ridiculous rating

an ambitious but ultimately ineffective debut endeavor.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Close shines in drama with strong language, adult themes.

That's what gets Buster Keaton discovered in this petrified forest setting that turns his milquetoast character into another baseball playing Elmer. Following in the footsteps of Joe E. Brown who had earlier played Elmer the Great, Keaton really isn't funny here; it's more about the game than the farce, so I wouldn't call this one of his better efforts, at least comedy wise. Another example of stone faced comedy where it is the audience who sits there without expression. The only funny moment comes from the sudden replacement of the ball with a piece of fruit. I couldn't even see the most ardent of baseball fans enjoying this; it moves more like a game of golf.

If there was any question as to whether Buster Keaton had regained his creative control after the debacle that was MGM, one needs to look no further than ONE RUN ELMER. It encompasses his two biggest passions in life – baseball and film-making. The opening shot is uniquely Keaton - a vast desert, a ramshackle shack and a lone figure. Buster operates a small gas station. The deep hole that his rocking chair sits in is indicative of his thriving business. He spends his time giving directions to travelers and what business there is gets scared away from Buster leaping out of bushes brandishing his shotgun. Buster's prospects brighten with the arrival of a construction crew. He figures it's a sign of a growing boom town. Fade in to a dour looking Buster staring at the boom - a brand new modern gas station directly across from him. The rivals begin a not so friendly competition involving price wars and fights over customers and the only lone female in the area. Eventually the competition moves to the baseball field.Keaton continually finds variations for Buster to come out on the short end. He slashes the price of his gas so low that no one wants to buy his 'cheap brand'. His gas hose is either to short to reach the vehicles or so long that it trips him up. When the girl arrives Buster is so intent at cleaning her car (and creating a small dust storm in the process) that he forgets to fill up her tank. Even his poor little shack comes out on the wrong end when the two rivals play a game of warm up and baseballs start to dismantle it's foundation. The baseball game itself quickly degenerates into a series of blackout gags worthy of a Tex Avery cartoon. The rules of fair play are tossed out with the kitchen sink as umps are beaned, bases are moved and bats and balls explode. For years Keaton created the gags for the annual Hollywood charity baseball games and now he had an opportunity to commit those outlandish gags to film. It's nice to be in control.

This is one of the Educational Pictures Buster made in the thirties and is one of the best of the series. Buster is running a petrol station in the middle of nowhere and has various mishaps and competes in a baseball game. The first part of the film is fairly amusing in itself, but the baseball segment of the film is what people will remember. Buster used to run a comedy team himself who would come out before the proper game and entertain the crowd and a lot of the gags here are based on what he did, with exploding baseballs, huge bats, bullets embedded in the bats etc and so this becomes a valuable record of the gags he used perform way back then. If you're a Buster fan (and how can you not be?) this is definitely worth watching.

Although, the film suffers slightly from a lack of production values, this film with Buster running a gas station in the middle of the desert is pretty good.There are elements of the old Keaton in this one. When competition arrives from Harold Goodwin, who opens up a more modern gas station across from Buster's the problems just elevate until the baseball game conclusion.