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I gave this film a 9 out of 10, because it was exactly what I expected it to be.
View MoreBlending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
View MoreIt is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
View MoreI really wanted to like this movie, even though seeing the bad reviews and grades, but I'm sorry to say I just couldn't. Already in the first scene,(incense and cultural clichés accompanied by ramblings), I was thinking "Nooo". Cheesy and conceited were adjectives that came to mind...I'm very interested in military history, especially WWII. I have my roots in Finland, and therefore I have the same relationship to Finnish movies about the Winter war and Continuation war (btw something to take a look at for anyone interested in WWII, to see some of the least discussed but most astonishing military wonders of all times - a tiny Little poorly equipped army in a tiny little country, literally crushing the USSR Bear), as I suppose Asian Americans have to this movie, since it portrays a part of the US Army which seldom have gotten any recognition for their efforts and sacrifice. (Also see "Days of glory", a rather good movie about the Algerian French soldiers in the French army during WWII - Another "forgotten" Group).I also have a great interest and fair insight into different Asian cultures due to both personal interest and having several Asian in-laws in the family. Also, some of the areas in WWII history, which I have spent the most time on, are the affairs in Asia and the Pacific. So the genuine interest is there, and also a good insight and knowledge of actual history.Still, I have to practically force myself through this syrupy mess... The degree of melodrama, over acting and oh-it's-so-sad, is so extensive that it makes me queasy. Everything is shoved in the face of the viewer, in a pathetically naïve way, leaving no room for any thought or reflexion. Nothing is subtle nor actually touching, since the director has drenched it all in banality and cheap clichés.The acting is horrible and over dramatic overall, and leaves one with an uncomfortable feeling of embarrassment on the behalf of both the actors and the characters. They are all flat and one-dimensional, delivering predictable portraits with no depth. I would even say that the characters, in a way, mock and ridicule Asian Americans, and place the whole group in an old and clichéd POV. Which is both sad and frustrating.The depiction of battle and warfare is badly acted, but mainly badly planned and executed by the director, giving an air of boys playing war at a paint-ball field, rather than actually being at the western front. Low budget is not an excuse since many movies pull it off anyway.The script is annoying in it's throws hence and forth, and in it's lack of continuity and a red thread. The scenes don't drive the story forwards, but just seem random and confused. Dialogue is mostly bad.Overall, this movie is a crappy mess with not much good to be said about. And that's irritating since this forgotten part of WWII-history is a very interesting one, and a movie made by a good director, with a good script and screenplay, with good actors, could have made it a see worthy pearl of a flick, instead of a pathetic puddle of syrup. :( I can't even recommend it to anyone except maybe descendants of the Asian American soldiers from the US troops of WWII. I think they could have some kind of benefit from this Movie, otherwise, it's mostly a waste of time. See something good instead.Sad to say, because I so much would have wanted to like this.But Lane Nishikawa kind of fu*ed up. Seriously badly so.
View MoreI was excited to see this film was in production when I first stumbled across it a few months before it was released. I managed to find it at a local video rental place about three months after it became available on the website and decided to give it a look. Although not perfect, "Only the Brave" presents a story that needs more recognition in this day in age. Especially with so many 442nd vets passing on every day. Although the characters are fictional, they are no less real, with a lot of attention paid to their lives before and after the war. My family was sent to the internment camps after Executive Order 9066 was signed by FDR, and their experiences mirror those of the men in the film. They too lost their jobs, then their property, then their basic freedoms in what is still regarded as one of the largest civil-rights atrocity in the history of the country. Three of my Mother's uncles served in the 442nd Regimental Combat Team, one of them earning a Bronze Star with Valor Device during the same mission portrayed in the film while serving as a Combat Medic.A subject I wish they had touched on during the film was the degrading 'loyalty tests' that Active Military personal of Japanese Decent were forced to take after Pearl Harbor, as one of the aforementioned uncles was subject to those as a member of the US Army Garrison in Hawaii at the time. As far as film craft is concerned, the picture is not without it's faults. A few scenes really would have worked better in a stage production then a feature film, and some of the scenes seemed to have an out of place dream-like quality. But all things considered I am simply glad that this film was made in the first place. Obviously a work from the heart for a lot of the actors and crew. Who all, like myself, had a deep personal connection to the story being told. Hollywood has pointed the spotlight on minorities serving in WWII frequently in the past few years with films such as "Miracle at St. Anna", "Windtalkers", and "The Tuskeegee Airmen", but always seems to overlook the story of the 442nd RCT/100th Battalion (with the exception of the film "Go For Broke" which was released in the 50's). Hopefully 'Only the Brave' will be the first of many more films to highlight the sacrifice and heroism of these men who were told they weren't Americans, then proved their government wrong in the most spectacular way possible.
View MoreThis is a terrific film and tribute to an unbelievable group of soldiers and just one of their amazing accomplishments. With all the renewed interest in World War II as this generation of men begin to pass from the scene, I can't believe there haven't been more films about the little- known exploits of this all-Japanese American 442nd RCT. As of this writing, this film has mainly been on the film festival circuit - I can't believe this was a low-budget, independent film - a period piece, and a war picture, to boot. A great cast, including such Asian American luminaries like Jason Scott Lee, Mark Dacascos, Tamlyn Tomita, Pat Morita (maybe his last performance), and others, along with a scrupulous attention to detail - weapons, uniforms, etc. - make this a stand-out film. The script's basic theme - that each of these men were more than just soldiers, they each had families, loved ones, reasons to live - magnify the tragedy of each death, so this film not only honors and glorifies these men's accomplishments, it also serves as a meditation on the true cost of war. Hope this sparks many, many more films about these guys!
View MoreOn December 7 1941, the Imperial Japanese Navy raided Hawaii's Pearl Harbor and decimated the United States Navy's Pacific battleships.Two months later, President Franklin D. Roosevelt signed Executive Order 9066, permitting the U.S. military to uproot thousands of West Coast Japanese and Japanese-Americans and ship them to inland interment camps.In February of 1943, the ban on Japanese in the military was lifted and the 100th Battalion 442nd Regimental Combat Team was formed. Containing Japanese-American volunteers from Hawaii and, remarkably, from out of the mainland interment camps, the 100th/442nd was sent to Europe."Only The Brave" is a fictionalized account of the 100th/442nd's most famous success: the October 1944 rescue of the "Lost Battalion", the all-white "Texas" 141st, trapped behind enemy lines deep within the Vosges Mountains of France.The movie opens during the battle for the town of Bruyeres, France. After a receiving a head wound, Sergeant Jimmy Takata (played by the film's writer and director, Lane Nishikawa) begins to "see" the memories of his dying troops. As they die, Takata also becomes a walking repository of their mementos: a signature pair of eyeglasses, a photograph of children, an engagement ring never given.Through the Bruyeres battle and the five bloody days of desperate fighting it takes to break through the German line and rescue the 141st, Nishikawa uses Sergeant Takata as a metaphor for the quiet and proud generation of Japanese-Americans who endured life in the relocation camps, who fought in battle and who kept up the home front, but who have mostly held onto their stories. Nishikawa's moral is an old one: the release of the past brings healing for the future, but it is especially poignant given that so few of that generation remain.Working with a limited budget and an abbreviated shooting schedule, Nishikawa wisely chose to "go small" with his shots. Each scene is personal to the viewer. Each battle is realistically chaotic without wide shots and multiple angles to give viewers their bearings. The result for the viewer is as it is for the characters - an exhausted embrace of the story's pauses.Nishikawa also "goes small" with his characters. The memories that haunt Takata are often short, deeply personal gut punches. The realistic pidgin banter between the "local boy" Hawaiian Japanese and the exploration of the tensions between the Hawaiian Japanese and the mainland "kotonk" Japanese are products of character development and not just tossed in for "authenticity".Unlike many recent war films, there is little battle gore in "Only The Brave", making the infrequent bloody scenes that much more powerful.The cast, featuring Nishikawa, Jason Scott Lee, Yuji Okumoto and Tamlyn Tomita, turn in solid performances but Pat Morita's cameo was a little wonky for me."Only The Brave" will definitely be worth watching when it is finally released into theaters. I was lucky enough to attend a private screening in Seattle. I'd gladly wait in line again.
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