Surprisingly incoherent and boring

Load of rubbish!!

Let's be realistic.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

When Herbert J. Yates decided to introduce his latest sagebrush star Monte Hale he did with a backstage story so to speak. Monte Hale gets to play himself, a likable young cowboy who would like to break into motion pictures. In going to Republic he sure went to the right studio since this was the bread and butter of that outfit.Hale teams up with young Bobby Blake and his horse Partner who Blake has taught many tricks. He first tries to introduce Partner to western star John Dehner who is a radio actor with a western series there. But for the big screen Dehner just hasn't the skills and his double Fred Graham fills in for Dehner in a lot of ways.Hale catches the studio attention, but Dehner is jealous and he wants to damage Hale's career before it starts. And the horse Partner is the instrument he uses. Monte also gets a little romance in with Bobby Blake's sister Lorna Gray and Republic Pictures gets a new cowboy hero. Several of the current stars like Allan Lane, Don Barry and Roy Rogers and Dale Evans all make guest appearances. And of course John Dehner never became a cowboy hero at Republic, but in real life had quite a distinguished career in all kinds of character roles.You have to wonder about the real studio politics among all these guys at Republic. When Gene Autry moved to Columbia Pictures, Roy Rogers was King of the Republic lot as well as King of the Cowboys. But there was quite a bit of rivalry over who was crown prince and those listed above were not the only movie cowboys working for Herbert J. Yates.Out California Way is a pleasant enough picture and Monte Hale is a good cowboy hero.

This is a real good Republic B-western. A cowboy hero(John Dehner)on the radio wants to establish himself stronger in the movies. Standing in the way is a much younger cowboy(Monte Hale)drawing much new interest. A young boy(13 yr old Robert Blake)is also trying to get his horse into show business. The trick horse becomes a pivotal pawn in the established feud. Lorna Gray is the obligatory love interest. Cameos by Rocky Lane, Red Barry as well as Roy Rogers and Dale Evans who supply a toe tappin' tune to the half-dozen or so offerings from Foy Willing and his Riders of the Purple Sage. Just over an hour...sorta like sitting in the Kiddie Matinee on Saturday morning.

This isn't so much of a western movie, as it is a movie about MAKING western movies - set in the mid 40s. There are at least a half-dozen songs here, but many of them are quite juvenile. I guess that's supposed to play to the youthfulness of the audience at whom this must be aimed. Most of the music is provided by Foy Willing and The Riders of The Purple Sage, but Roy Rogers and Dale Evans - as part of their cameo appearance - also contribute a tune. Rocky Lane and Red Barry briefly cross the screen as well. Robert (Bobby, as he was billed back then) Blake has a main part: While trying to get his HORSE in films, he meets actor-wannabe Monte Hale. The newcomer ultimately upstages an established radio-to-celluloid cowboy, thereby establishing what little tension there is in this flick. In addition, the kid has an older sister, who provides a bit of romance involving her and Monte. The plot and dialogue throughout seems very contrived, which may be too noticeable to adults; and kids may lose interest in a few places.

Routine trivial western from Republic, glossed up with their 2 color Trucolor, which makes all the actors look like they're wearing tons of rouge. One does get to see a few of the other western actors in the Republic stable as guest stars including Allan "Rocky" Lane, Don "Red" Barry, and off course Roy Rogers and Dale Evans. Monte Hale, the star of this epic though doesn't convey any charisma whatsoever, explaining his rather short career(about 20 films at Republic). They say his black and whites are better, but having seen only 1 other "Home on the Range", it too in color, one wonders why indeed Monte was ever signed.