Strictly average movie

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Breaking into Hollywood should be this easy! Sally Carter (Evelyn Thawl) sneaks into the Superb Pictures studio lot with the help of a make-up artist (Jeffrey Lynn), smuggling her in as part of a tour group. She quickly breaks stride with the rest and winds up as a dancer under the supervision of manic director Nitvitch. You can only take his schtick for so long, but the picture only lasts nineteen minutes, so hang in there. Watch for cameos by legitimate, but not Superb Studio actors, as they make their way through the main gate - Wayne Morris, Dick Foran, Ann Sheridan and Pat O'Brien. The ironic touch in the picture occurs right after Miss Carter has makeup applied along with a blonde wig to look totally unlike her real self, as her makeup artist sings "You're Lovely As You Are".

"Out Where the Stars Begin" seems like a typical glamorization of Hollywood. It reminds me a little bit of Tex Avery's cartoon "Daffy Duck in Hollywood", in which Daffy interferes with the production of a movie. Exactly the sort of flick that "Mystery Science Theater 3000" could have shown. My favorite character was Nitvitch, the overstuffed director (a parody of "Casablanca" director Michael Curtiz). He's the kind of grouch who we'd all love to be at least once.Otherwise, the whole thing is really hokey, especially the singing guide. What would be really neat would be a cross between this movie and...oh, I don't know..."Snakes on a Plane"! Or "Idiocracy".That's my take on it.

Evelyn Thawl as "Sally Carter" was pretty and wholesome-looking and a good dancer as she demonstrates here in this 20-minute short came with the "Angels Have Dirty Faces" DVD. It's always nice to see the beautiful Technicolor back in those rare times when it was filmed in the 1930s."Sally" is trying to break into the movie business as a dancer. She makes a quick friend in the makeup artist (no name given but played by Jeffrey Lynn) who persuades director "Mr. Nitovich" (Fritz Field) to give her shot. The film also belongs to Field as he gives an over- the-top satire performance of a dramatic European film director making his debut in American films. It's a good thing this is short film because "Nitovich," which his abrasive yelling, soon wears out his welcome.Anyway, Thawl performs a ballet and a tap dance number, Lynn sings a song and we see cameo shots of a few stars such as Pat O'Brien and Ann Sheridan.Overall, it's quite corny and dated and, frankly, not something I would more than twice. A sad note: from what I could find, Miss Thawl, who performed mostly on Broadway, lived a very short life....but I have no details of what happened to her.

Delicious appetizer comedy short shot in absolutely exquisite Technicolor at Warner Bros to showcase both the studio and new 1938 films. Made to co-incide with their first Technicolor feature THE ADVENTURES OF ROBIN HOOD, we are also treated to snippets of the Jezebel set, Warner Gangster back-lot, and others by a jive/swing Teenage guide who leads and sings his tour group across the sound-stages. It is the color and a few stars mainly on show that are the focus, and you will be repeat viewing for several days once you discover where it is: part of a clever new Warner Bros Night At The Movies DVD release, this short is to be found with ANGELS WITH DIRTY FACES in the support program as if you are at the local cinema in 1938. It is a great idea and a perfect way to bundle appropriate items from the treasure trove of studio vault wonders freshly re-minted for DVD. The musical stage set the tour group visits is a delight of Deco silver blue and pink...and the hilarious antics of Fritz Feld as manic Euro director Nitvitch is supposed to be a razzing of Michael Curtiz. The swing dance number is a hoot and offers the 2006 viewer one of the first times ever we are able to see - in glorious 1930s color - the sight of a real Hollywood chorus line in silver hot-pants blonde wigs and top hats (looking very like Madonna) - all tap-dancing away to the tune of "She'd rather dance than love'. It's the real thing and it's the first I know of in proper Technicolour..as if a Busby Berkley number was shot that way. Of course it was Bobby Connolly who is the choreographer here...soon to be at Monogram with skate star Belita in her mega big band musical LADY LETS DANCE in 1942. Find this DVD of ANGELS and run through the entire program with your family. Congrats to WB for at last offering insightful marketing for us all to enjoy these delights from the studio vaults. Thanks! The Technicolor 1937 UA release GOLDWYN FOLLIES is a close feature length counterpart (which probably inspired this short at WB) It too is set in a studio making a new musical and features The Ritz Brothers (singing a risqué swing song "Here pussy pussy pussy pussy") along with the hideous and strange Kenny Baker. Now if we can only get someone to release VOGUES OF 1938 which is a fashion musical made in real 3 strip Technicolour (just like these films) as a restored DVD, the world would be a rainbow of 30s delights....along with the Selznick STAR IS BORN and GARDEN OF ALLAH both from 1936. RAMONA anyone? ...while we're at it.