Over the Moon
Over the Moon
| 12 October 1939 (USA)
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Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once finds she has inherited eighteen million pounds. He makes it clear he wants nothing to do with the money and what it can buy, and Jane sets off alone on a spree pursued by two ardent suitors. Jarvis finds he has gained notoriety for turning down such a catch and his plans for ernest research are soon compromised.

Reviews
SoftInloveRox

Horrible, fascist and poorly acted

Freaktana

A Major Disappointment

Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Yazmin

Close shines in drama with strong language, adult themes.

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malcolmgsw

For some reason all of the reviews for this film are from the state's.As this film was recently shown on London Live I can redress this.Firstly the colour is typical of pre war Technicolour and is quite beautiful.The sound was totally audible,at least to me.This was not the only London Film held up for release,21 Days being another.In any event since British film production had fallen to a low level due to bombing and requisition of studios,the release of these films would help British cinemas cope with their quota requirements.It is not a film which will rate highly in the careers of either stars.The plot must have hackneyed even at the time of production.Oberon inherits a lot of money and is then perused by a lot of aristocratic Chinese wonders who can offer a title in return for large wads of cash..Incidentally there is a really fine musical number by the immortal Elizabeth Welch which license up the proceedings.

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edwagreen

The typical film of a girl from poverty who inherits $18 million British pounds and how she goes into high society.Of course, distant relatives and others come out of the woodwork to befriend our new heiress.About to marry country doctor Rex Harrison, the engagement soon falls apart and she begins to mingle with the upper crust of society thanks to that distant relative and supposed friend, both of whom are only too eager to introduce her to a man of their choosing. Gigolos abound here and are naturally drawn to Oberon's new wealth, but one is included who is even wealthier than she is thanks to a respective family.We see snobbery at its worst and if a whirlwind adventure, Oberon finds her true love while realizing that she is still basically a plain girl of plain origin.

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bkoganbing

Over The Moon never became the comedy classic that Alexander Korda wished for his wife Merle Oberon. But it is a pleasant enough film showing the upper classes in the United Kingdom enjoying their privileges.Dutiful Merle Oberon and Dr. Rex Harrison are attending Merle's grandfather until his demise. Grandpa never spent a dime and his only living heir inherits 18 million pounds. At the age she's at she will not hoard, but instead starts moving with the upper crust and gets a few upper crust admirers chiefly Robert Douglas son of the richest man in the United Kingdom.Harrison gets tired though and wants to get back to practicing medicine. But Merle's just starting to go through the fortune and all the admirers it's bringing.Harrison walks out but like Levi Johnson he's acquired some notoriety of his own and he gets an offer from some sanitarium that caters to the disgustingly rich to join their staff though he at first doesn't really know why. Of course in the end it all works out. Over in America had this been done by a Leo McCarey or a Mitchell Leisen Over The Moon might have been a comedy classic. It had the makings, but it falls short.

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MartinHafer

"Over the Moon" is a decent enough film, but in its present form it's a bit tough to watch. This is because a lot of conservation work needs to be done on it--at least on the copy shown on Turner Classic Movies (and usually they show the best copy available). The problems are with the picture and sound. The film is in early Technicolor but the print is so muddy that it's actually pretty ugly. Additionally, the sound is a bit muddy--making it very hard for non-Brits like me to understand everything they are saying. Cleaning the sound and/or installing closed captions would be a HUGE boon to watching the film.The film also suffers from a bizarre problem--one that is even weirder than using Jean Harlow's double to finish "Saratoga" after she died part-way through filming. The star of the film, Merle Oberon, went through HUGE changes in her looks in the late 1930s--going from a somewhat unattractive lady to a more vivacious lady due to studio folks who saw her potential. Here is the problem with this--much of the film was made in 1937 and then the project was shelved. Then, two years later, she looked like a totally different lady--and that's when they filmed the rest!! So, in the '37 portions, she has shaved and penciled eyebrows (like Jean Harlow) and very unattractive hair that emphasized her large forehead. In the '39 portions, she has normal eyebrows and a much more becoming hairstyle--making it look like two different actresses played the role. And, since it was NOT filmed in sequence, it's very disconcerting--much like when Luis Buñuel DELIBERATELY used two different actresses to play the same role in "That Obscure Object of Desire". With Buñuel, it worked because he was a surrealist but in "Over the Moon" most viewers will just be left confused.As for the story itself, it's a decent tale of a poor girl (Oberon) who instantly becomes a very, very, very wealthy heiress and how this helps to mess up her life. Lots of selfish hangers on suddenly become her 'friends' and her fiancé (Rex Harrison) is driven off by her new lifestyle and nasty friends. But, no matter how much charm and magic the film has, all the factors listed above do a lot to undo the good--making the film a bit of a chore to watch.

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