Must See Movie...

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The acting in this movie is really good.

It's 1942 Singapore. Adrienne Pargiter (Glenn Close) joins the women and children evacuating from the approaching Japanese only to have their ship sunk. She and others swim ashore to Sumatra and imprisoned in an internment camp. As they face mounting brutal treatment, they decide to organize a choir.There are a lot of great actresses here; Frances McDormand, Pauline Collins, Cate Blanchett, Julianna Margulies plus many many others. The different characters can get to be too numerous. However the main characters played by the better known actresses remain center stage. Ten years before, the stories would be shocking and ground breaking. After Schindler's List, that kind of inhumanity is no longer as shocking and it seemed that this movie held back the most shocking visuals. For example, when the woman gets burnt alive, we are barely allowed to see anything. The beatings were all stage crafted. They could have stage a more brutal vision.

Paradise Road is based on a true World War II story of a boat load of women and children fleeing the imminent Japanese occupation of the then British colony. The boat is sunk and survivors made it to the shore of an island that was already occupied by the Japanese military, where they are herded into a brutal prison camp. Brutal World War II prison camps have been portrayed before, but this story is unique because to keep their spirits up the women manage to organize an a capella vocal group that performs classical music for the prisoners. The camp officers and guards join the audience.I disagree with critic Roger Ebert who found the story line to be less dramatic than it could have been. I found the story gripping from the opening scene of a British high society ball in Singapore in which the British elite expressed their prejudices about Japanese and their erroneous belief that the Japanese army will be no match for the British military. It lost interest only after the war's end was announced. The film ended at that point without going into what the camp was like during the 2 weeks after the Japanese surrendered but before the victors reached the camp.All the cast performances were very strong. Many of the cast had important parts and all gave very strong credible performances. Glen Close was excellent in what I would call the lead role, the concert organizer and conductor.Although the action takes place in 1942-1945, the film was made in 1997. The prejudices that existed in the 1942-45 period are included in the film, but the 1997 sensibilities are expressed in making the Japanese military roles multidimensional, rather than pure evil. The only sadist was the Japanese Captain who was a member of the Japanese equivalent of Nazi Germany's Gestapo.

I just watched this film while flipping channels late night. I was very very impressed. The acting was great, the story was gripping, and I was drawn into the world of these women. I am not very familiar with Japanese culture, so I have no comment on the portrayal of the Japanese in the film. However, I did appreciate the realistic portrayal of various people within the groups in the film. Some were certainly wicked people, and some were certainly holy people, but I found that the film did a great job of imitating real life, where the vast majority of people are average folks who want to be and do good. I was moved to tears at times, and laughter as well. I give this film two massive thumbs up!

This movie is one of the very few made about female POWs of the Japanese in the Second World War. I feel that this subject has been hugely neglected by war historians in general and is a story that deserved to be told. Here there is no machismo, just the story of women enduring in the face of intolerable suffering and brutality. The acting is absolutely flawless and unlike some critics I do not think the story drags at some points. The wonderful opening sequence accompanied by the Elgar Concerto is riveting and exciting, and although some parts of this film are historically inaccurate, this pales into nothing compared to the wonderful sense of time, place and adversity.