Don't listen to the negative reviews

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The film makes a home in your brain and the only cure is to see it again.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Ragnar Bragason, who is an İcelandic director, follows Börn, which is the first film of a series. Actually we think that Börn and Foreldrar are different films, but it's not true, because these films are parts of one film. In the first one, Börn, was more active and boisterous, because it was the introductory chapter of the story. Nonetheless, Foreldrar is slower and shorter. It emphasizes leitmotif by more direct ways. It explains the family, which is the basic composition of society, and individual solitude. Foreldrar becomes an impressive movie with the director's attitude which dares to use classical narration like Godard's cinema and his method of approach to his characters similar to Mike Leigh's cinema. Finally, this movie's visual world which was created by Bragason and its dramatic dialogs are both perfect. The director has shot one of the best movies in recent years. It definitely deserves praise.BuRnOut_TR