It is a performances centric movie

Highly Overrated But Still Good

Charming and brutal

It is both painfully honest and laugh-out-loud funny at the same time.

A strangely compelling, end of world tale, that could easily have gone astray but did not, due to the intimacy of the relationships told through exquisite writing and performances. Told in a mosaic fashion that builds to create a beautiful whole, the film first intrigues and then, inch by inch, draws you in. Wonderful performances all round from veterans and newcomers alike. ( Always a sign of an excellent director.) Frank Langella, Gena Rowlands shine in the mature, understated way of older greats. Josh Hartnett also brought something special to his role, as did Rosario Dawson. But it was Theresa Palmer who brought an exquisitely luminous and fragile element to her role and really brought true soul to the whole movie. An actress well worth keeping an eye out for.A movie that transcends its not so uplifting subject matter to somehow create an uplifting movie, in a melancholy kind of way. Welll worth a deeper look.

So sad, that this movie has not hit the theater screens and has only been released as a DVD/Blu-Ray disc.So sad, that too many Hollywood consumers have lost their souls to big money sci-fi flicks. Remember sci-fi movies by Andrei Tarkovsky. There was a time when cinema was not all about special effects, but poetry, realism, and surrealism.This movie is wonderful and dreadful at the same time. If you care for real cinema, go watch it now. The acting is excellent. The dialogues are outstandingly smart. There is no reason why you would deprive you from watching it. It's a billion times better than 1995's Outbreak.For a first movie of his own, Brian Horiuchi is signing a masterpiece that so many people will not see, because it's a true UFO in the Hollywood jungle."They are unripe and only fit for green boys." says Jean de La Fontaine in 'The Fox and the Grapes' fable, quoting a stupid fox unable to reach his meal, only capable of complaining and moaning.Like Threads, the 1984 BAFTA award-winning BBC television drama, Parts Per Billion provides a highly depressing experience. Though, Horiuchi makes it a bit less straightforward, less graphic, and chooses to focus more on the relationships between human beings, like in Melancholia (2011). Only, these beings are less sophisticated than in Lars Von Trier's movie. Though they are chosen ones, they look like simple and common individuals with valid, simple thoughts, but also so living, so unique, and so exceptional beings.The characters do express genuine sincerity like in François Truffaut and Wim Wenders' movies. They sound precise and exact. The only drawback is a shaking camera, the reason why I don't vote 10/10 but only 9/10. Such an intense drama would have benefited an adequate, more professional handling.So, let's change the director of photography next time. And I hope it's not Brian Horiuchi's last movie despite a likely loss of cash. We need independent directors to remind us that intelligent cinema is still alive, and really enjoy their movies.

But with a Whimper, that is how the world ends" So wrote TS Eliot. Spoiler Alert, some plot points revealed. I have seen many of the, "End of the World" scenarios played out, of late. This one takes a more intimate approach then many, closer in spirit to movies like, "Melancholia" which only hinted at the global repercussions. Three or more couples, journey to meet their fate. The cutting from past to present,to a possible future, is done seemingly randomly, As is the mixing and interweaving of each couples background recollections. It's all here folks, the love and the tears, the hopes and the fears, only in the end to seem pathetic and meaningless. with the exception of the little girl shot, which if showing the future offers the possibility of redemption. Ultimately it did get wearisome, toward the end, even all the passionate embraces could not enliven. I am grateful for these independent films to hire senior actors,and younger actors too. There were a few touching moments, scenes well played, I liked the soap label scene, having had personally met Dr Bronner, of the "All One" persuasion. I thought the "sick boy" parable was creditable.I suppose my biggest objection with, "Parts in a Billion" was the seeming haphazard editing. For example; We see a nurses body, and then we flashback to get the story of the nurse. Things like that made the events anti climatic. Not a good story telling device. The actors took their parts in earnest, the film was capably shot, with good production values, The music was marginal, pared down to suit the action. last word, Yeah, it was a depressingly serious little movie.

From beginning to end you will find a continuous disconnect in a script that finds you trying to figure out if your are watching previews of multiple movies with different genres. The movie is so involved with the relationships that the only attachment to whats going on seems to be shrouded by annoying stereotypical banter. Just another paycheck for some highly respected actors. The only thing more thrilling than the end credits was some meaningful attempt by some of the actors to try to make a horrid script, at least for their part, a more connected journey. Granted there may be a lot of horrible films out there, but avoiding this one will give you more time to catch the latest G O T!!