Simply Perfect
disgusting, overrated, pointless
There are better movies of two hours length. I loved the actress'performance.
View MoreOne of the most extraordinary films you will see this year. Take that as you want.
View MoreAkshay has been unlucky when he tries to experiment, be it Tasveer or Once Upon A Time recently. This film is something different from Akshay's hammy films, here he plays a crickeeter who wants to join England team but his father is too patriotic.In fact one fails to understand why his father doesn't return to Punjab then? But yet this concept could be better treated but Nikhil Advani resorts to age old melodrama and clichés?Direction by Nikhil Advani is so-so Music is okayAkshay Kumar doesn't look young anymore to pass off as a 20 something but does a good job, Anushka for the first time outside YRF camp does an okay job in a not demanding role, Dimple Kapadia is superb while Rishi too excels in his part rest are okay
View MoreOkay, first up I suppose I best say that this is the best film Akshay Kumar has done for a long time. Whilst he will never be a great actor, at least here he does an excellent job with a character that could have been a disaster. No over the top performance, this is a measured effort that conveys the character's inner turmoils very well.The rest of the cast also do a fine job. Rishi Kapoor is always excellent and does a very creditable job as the head of the house. Dimple Kapadia plays his wife with sensitivity and purpose, although she is under utilised and perhaps underwritten and subservient in the screenplay. Anushka Sharma also does an excellent job in a role that could quite easily have devolved into a mess. I quite fancy that, on the evidence of her first four films, we may potentially be seeing the emergence of a new Queen of Bollywood.The film itself is a very interesting look at the family in an Indian household in Southall, London, where traditional values are being undermined somewhat by the younger generation being more influenced by the cosmopolitan opportunities of a more accepting London than that which their parents faced.The only real complaint I have with the film is that too many characters were brought to the fore and it results in a bit of confusion as to who is who. However, that aside, the screenplay is good, the film has a sense of purpose and moves forward at a nice pace. There is no unnecessary sentimentality brought into play and the end result is a film that does not scale great heights of classic cinema but is an eminently watchable film that deals with its subject matter very well.
View MoreWriting about PATIALA HOUSE, firstly I would like to thrash all controversies and objections raised by some SIKH Individuals or Organisations regarding the clean shaven look of Akshay as the son of a Sikh character played by Rishi Kapoor. The very first 15 minutes of the film clarify everything about the look and I must say that the director Nikhil Advani does that very convincingly.Truly speaking PATIALA HOUSE may be a better movie as compared to Askhay's all recent releases but at the same time it's also not anything too good or exceptional when we talk about entertainment. The film remains a half baked product with a good first half and a very unconvincing second with everything predictable till the climax. Though the script keeps introducing new twists in the story post intermission, but still the overall impact on the viewer just remains an average one.Among the merits of the movie, one can undoubtedly rate the performances of Rishi Kapoor, Akshay Kumar and Anushka on the top of all in that particular sequence. And those complaining that Akshay has been repeating himself lately, surely get to see a new Akshay in the film, who is calm, sober and cool playing an underdog. But frankly, after watching PH you just feel OK and don't have anything great to say about the movie experience on the whole.And there are many factors responsible for this average kind of impact which are given below: 1. The story of PATIALA HOUSE at once reminds you of BEND IT LIKE BECKHAM.In addition to this it also reminds you of GOAL which talked about a similar racialism issue with a different background. So the inspirational angle again is right there visible vaguely.2. The film is based on a very uneven script where everything seems to be happening very easily even at the national sports level. Where the first half is pretty fine and impressive, the second one brings in some heavily unbelievable and weird kind of sequences which are not all convincing. The whole act of hiding the developments in the team selection and then stopping Rishi Kapoor from watching the entire tournament till its FINAL, looks like written by a childish brain.3. Post interval the film disappoints in many departments ranging from its music to all the cricket tournament scenes showing Akshay taking the limelight. Interestingly Hindi Cinema has a history of films based on cricket not doing well at the box office with an only exception of LAGAAN. And the main factor responsible for this fact is that for some strange reasons, cricket being filmed for the silver screen has never come out to be highly entertaining or watchable in all those films, except LAGAAN & IQBAL (which was not a box office success). Nikhil Advani's PATIALA HOUSE also suffers with the same disorder. The cricketing scenes in the film are not at all impressive with some erratic cuts and un-intelligent direction. At many places on-screen depiction of players holding a catch, doing a misfield, appealing for an out, running for saving a run-out or talking with their captain (or opponent) on the ground are nothing close to as we see it normally in a LIVE Telecast. So the film which is largely based on the game of Cricket, does not justify the Big Sport on-screen, which sadly once again proves the historical fact related to the films based on cricket.4. Further PATIALA HOUSE plays the romance plot between Akshay and Anushka very loosely with a very questionable kind of explanation given for Anushka and her kid. The romance is never in the air and the viewers never feel like thinking about them as a pair.5. The director also tries to incorporate the "Follow Your Passions in Life" philosophy made famous by 3 IDIOTS in his film, which unfortunately falls flat and is not able to make any kind of impact on the young viewers.6. Musically the film is a weak venture too with only one song "Laung Da Lishkara" having some melodious notes. But what was the motive behind putting this song after the movie was literally over remains out of my understanding.Performance wise, the film is lead by Rishi Kapoor strongly followed by Akshay Kumar playing the underdog impressively. Akshay comes up with a mature act after a long time and he has also worked hard on his bowling scenes particularly. He never goes over the top anywhere in the film contrary to his own style and delivers a fine controlled performance. But Rishi Kapoor excels himself as the SIKH father of Akshay. His getup, dialect, body language and style is highly authentic as well as entertaining. After the recent DO DOONI CHAAR, Rishi once again re- invents himself and delivers a highly polished act of an Indian Sikh living in England. To be straight, PATIALA HOUSE is more watchable for Rishi Kapoor than Akshay Kumar.In the supporting cast, Anushka plays it real well as a half Punjabi independent girl. The girl continues to surprise me post BAND BAAJA BARAAT. But Dimple Kapadia neither looks good nor gets enough meaty scenes in the film to prove her famous skills. She gets a rough treatment since the story is mainly based upon the father-son relationship. The rest of the cast is fine with a great visual find Usman Qureshi, who exactly looks like the young Akshay Kumar in the flashback scenes.So in all, PATIALA HOUSE can only be watched for its key performances by Rishi Kapoor and Akshay Kumar. But on a concluding note I would also like to warn that do not miss its initial 20 minutes for any reason, since those remain the most engaging moments of the movie according to me.
View MoreThis is a movie about dreams that has a strong message throughout the whole movie. It does not disappoint for a second. Everyone has dreams that they want to fulfill, but there are always obstacles nonetheless. Gattu, too faces these obstacles. The story: Gattu is an amazing fast bowler who in his days could get the wicket faster than you can say "wicket". He could not fulfill his career opportunities due to his dad. Ek adhoore sapna re gaya. Watch this movie to see how the story unveils.Casting: Males: Akshay Kumar is the show stealer. He made every scene worth the while. The tears were genuine as if it was his story and that was heart warming. Rishi Kapoor was a delight to see as Akshay's father. He did an outstanding job as the strict "my way or no way" dad. Armaan Kirmani did justice to the role as the brother. In the beginning scenes where his wife tells him not to help Gattu because one servant is enough, the look Akshay and Armaan gave each other was perfect and genuine. The typical reaction to a real life situation. Females: Dimple Kapadia's role as the mother was heart melting. The scenes with Gattu were simply amazing. Gattu/Mom hospital scene was one of the show stealers. Anushka Sharma was simply great with the enthusiastic friend.The others: The rest of the family lost all respect for Gattu for not speaking against their father. I found that a bit annoying. Gattu had only one option, they needed to understand that. When they respected them, it was only after he played again. The family came off as selfish. But that is expected from a strict dad run family. Music: The album is amazing. Laung De Lashkara and Kyun Main Jagoon stand out the most, while the picturing of Rola Pe Gaya was simply brilliant where they go from a modern generation to that of the older generation, showing the major gap and differences. The differences sadly show how things will never be the same, but still a great song. This movie can be watched over and over. It was simply amazing. This can surely be added to Akshay Kumars amazing movies that will never get old. Overall: 10/10
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