People's Republic of Desire
People's Republic of Desire
| 30 November 2018 (USA)
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In China’s popular live-streaming showrooms, three millennials – a karaoke singer, a migrant worker and a rags-to-riches comedian – seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives.

Reviews
SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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mraculeated

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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Kamila Bell

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Dana

An old-fashioned movie made with new-fashioned finesse.

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JustCuriosity

People's Republic of Desire was well-received in its world premiere at Austin's SXSW Film Festival where it won the Grand Jury Prize in the Documentary Feature Competition. The film follows the lives of a young male comedian and a young female singer who have become stars in China's world of live streaming where people are making immense amounts of money by marketing their often-meagre talents in ways that get thousands of fans to send them gifts and pay money to vote for them in competitions. It is a bizarre pay-to-play form of online American Idol competition. It is kind of like a type of mostly not sexual prostitution where people are selling dreams and fantasies to those who are willing to pay. Wealthy patrons often pay thousands of dollars to support them while poor people pay small amounts to watch as they yearn to connect to their favorite star's fame and celebrity. They hope for some glimmer of their reflected glory. The film also follows one of the migrant workers as he obsessively watches his favorite performer. The film is beautifully made and edited with excellent animated displays of the performers screenshots and interactions. This film implies that life in China is becoming more and more virtual as lots of lonely people turn online in search of human connection in a world that is increasingly-driven almost solely by a dehumanizing search for monetary gain. Both the performers and viewers seem desperately lonely and isolated. Virtual reality seems to be triumphing over, well, actual reality. The obsession with celebrity seems reflective of a deeply unhealthy society, but then, again, as an American how can I really criticize? Our idiotic country elected an incompetent narcissistic reality TV star as our President.

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