It is a performances centric movie

Horrible, fascist and poorly acted

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

"Philo Vance Returns" is one of three Vance mysteries made by PRC, an ultra-cheapo production company specializing in mostly craptastic B-movies. Occasionally, they accidentally made a decent film...and this happens to be one of them. So, despite the horrid production company and mostly unknown actors, it manages to entertain and is worth seeing.Larry is an idiot. He's been married many times and was engaged several times as well. Soon after introducing his latest fiancee to his grandmother, the young lady is killed. Soon, Larry is also killed...and one by one his exs all start getting killed as well! Fortunately, Philo Vance is on hand to investigate...though he isn't quick enough to stop many of the murders.The film's biggest asset is that the murderer is an interesting choice but there also are enough red herrings and twists to keep you watching. Worth seeing...though I have no idea if PRC's other Vance films are worth your time or not.

I have now seen all three Philo Vance films that were made, on a very tight budget and schedule as well, in 1947. I think "Philo Vance's Gamble" is the best of the three, while "Philo Vance Returns" is the weakest. The plotting here is again pretty clever, especially in the way it fools you about the motive behind the murders, but a little too much screen time is awarded to the mostly unfunny, and occasionally crass (after finding a woman dead in her bathtub: "At least that's a clean way to die"), "comic relief" character of a Russian musical agent who becomes Philo Vance's sidekick; Frank Jenks was more successful in a similar role in the other two Vance films of the same year. This guy leaves little time for other supporting characters; second-billed Terry Austin, who shone in "Philo Vance's Gamble", has only two short scenes this time! Further down the cast list, Iris Adrian steams up her one and only scene: her stage name may be "Choo Choo" but after seeing her legs you'll be going "Woo Hoo"! ** out of 4.

1947's "Philo Vance Returns" concluded the brief three picture series from PRC, which ended the screen incarnation of the popular detective first played by William Powell. After two entries starring Alan Curtis, flanked by comic sidekick Frank Jenks, this casts in the title role frequent villain William Wright, who not only gets awakened in the middle of the night to solve the murder of a playboy's fiancée, but hears the caller get shot before he even hangs up! Within five minutes, there are already 3 murder victims, and more suspects bite the dust before Vance figures things out. Aiding Vance is Leon Belasco (a great improvement on Frank Jenks, although playing a different character), stealing every scene with his witty dialogue and funny accent, particularly his seduction of Iris Adrian through kiss-proof lipstick. Clara Blandick, best remembered as Auntie Em in the immortal "Wizard of Oz," portrays the playboy's loving grandmother, while seen only briefly are former Universal starlets Ramsay Ames and Vivian Austin, (the latter had a much larger role in the previous entry, "Philo Vance's Gamble"). Special mention goes to Eddie Dunn as the investigating lieutenant; he did many memorable cameos in the comedies of Laurel and Hardy, W. C. Fields, and Abbott and Costello. The very low budget occasionally calls attention to itself though, again, the mystery is quite good; some viewers may correctly guess the killer's identity but there's more here than meets the eye. Perhaps due to his untimely death from cancer in 1949, William Wright was hardly a well known actor, and does not excel in his only stint as Vance, no match for even Alan Curtis (Leon Belasco gets all the good lines). PRC's Vance films compare favorably to the three Film Classic 'Falcon' features from 1948-49 with John Calvert. Television adapted several movie detectives in its first decade, but not Philo Vance; even Perry Mason, with only six features at Warners, enjoyed a long run in its small screen version.