Picasso Trigger
Picasso Trigger
R | 01 February 1988 (USA)
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Double agent Picasso Trigger is assassinated in Paris by double-crossing bad guy Miguel Ortiz. Then Ortiz begins eliminating agents of The Agency who were involved in his brother's death. The Agency (belatedly) springs into action to stop Ortiz' heinous activities. The usual gunplay, romance, and nifty toys with bombs ensue.

Reviews
Linbeymusol

Wonderful character development!

Steinesongo

Too many fans seem to be blown away

Matialth

Good concept, poorly executed.

Organnall

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

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Woodyanders

After double agent Picasso Trigger (smoothly played with cool assurance by John Aprea) gets bumped off by treacherous arch drug smuggler Miguel Ortiz (a pleasingly slimy portrayal by Rodrigo Obregon), several federal agents are assigned by the agency they work for to bring Ortiz down. Writer/director Andy Sidaris maintains a quick pace throughout and delivers his usual enjoyable mixture of delicious babes in skimpy swimsuits or less (busty blonde knockout Dona Speir and mega cutie Hope Marie Carlton are mad hot as our sexy heroines while smoldering buxom brunette Roberta Vasquez contributes a memorably sultry turn as enticing femme fatale Pantera), an amusingly goofy sense of tongue-in-cheek humor, big splashy explosions, nifty James Bond-style gadgets (a deadly explosive boomerang, killer remote control toy car and airplane, etc.), a good deal of bloody violence, occasional bits of strenuous slow motion, a cool fierce martial arts fight, and globe-trotting international locations which add an impressively expansive scope to the picture. The acting from the attractive cast is passable at best, with Steve Bond likable enough as buff hunk Travis Abilene, Kym Malin simply adorable as sassy cowgirl dancer Kym, Cynthia Brimhall displaying real class as the elegant Edy Stark, and Harold Diamond providing suitably macho muscle as ace karate fighter Hondo. Howard Wexler's slick cinematography gives the movie a nice polished look while Gary Stockdale's lively score hits the stirring spot. A fun flick.

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mptnla

What were they thinking when they made this? I happened to roll over and was unable to sleep one night at about 2AM and this movie was playing on cable. It wasn't just awful because it was so dated (which of course can't be helped), but the acting was bad, the special effects, the score, the storyline -- need I go on? For as bad as it was though, I couldn't turn it off because I kept watching to see how bad it could get. The topper was when Steve Bond turned his crutch into a shotgun and then a missile launcher! And then the corny bad wrap-up scene. This movie is funny -- but not intentionally. Watch it only for laughs at how bad it is.

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David Edward Martin

Just watching the credits for Sidaris' flicks reveals where he gets his cast. Everyone is from Playboy, Penthouse, or Playgirl. What the heck, everyone wants a chance to act. At least none of these folks gave Sidaris any headaches about doing nude scenes!The movies are popcorn, not meant to be taken to seriously. Just sit back and watch a bunch of occassionally naked women and guys kill some nefarious bad guys.

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Boutros

I just had to comment on this film. To start, there is of course absolutely nothing special about this babes w/ guns flick to the countless others that Cinemax shows on their midnight line up. But what differentiates Picasso Trigger from most is the inventive weapons.Example #1: Attaching a bomb to a boomerang to blow up the bad guy.Example #2: Attaching a timed bomb to a remote control car to blow up the bad guy when the target is at grenade throwing distance.This is what makes movies like these great to watch. It just goes to prove really bad movies can be entertaining and stimulating.

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