A Disappointing Continuation

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

OK, this one often is listed as being from 1953, but this is not exactly correct- it is an edited version of the 1939 serial.Keeping this in mind, it still seems a bit dated by 1939 standards (the costumes, and the (in)famous electric razor sounds emanating from the rocket-ships). On the plus side, we see that the original 1939 audience got exposed to television, lasers,interplanetary spaceflight, and robots. Re-releasing this in edited form in 1953 could have been part of forming the space pioneer mind-set among American youth that eventually propelled the US to the Moon in 1969, so we can thank Buck Rogers for some of the inspiration. The pace is good, the action keeps coming, but the plot and directorial execution is very simple. This was made primarily for children and early teens, so things never get too complex here. Not really the best of the Buck Rogers material that's out there. This is mainly for die-hard fans of the principal character and fans of Buster Crabbe.

Someone at Universal Studios got the bright idea to edit out all the cliffhanger chapter endings and re-release an old Buck Rogers serial as a feature film in 1953. The advances in science have rendered it laughable in those Cold War years, now the film is high camp.The original serial had the notion that a 20th century dirigible pilot and junior sidekick Buster Crabbe and Jackie Moran crash near the North Pole and their bodies are cryogenically frozen and thawed out by those who found them 500 years later which is about the same time that the Starship Enterprise was doing its thing. But this is not a Star Trek world that they've come back to. Although in the original Star Trek series in one of the comic episodes a humanoid people did take on the gangster culture from 20th century earth.In this film because we did not deal with the Al Capones and Lucky Lucianos back in the day as we should have, they're on top now and the boss of all bosses is a guy named Killer Kane played by Anthony Warde. Fortunately Crabbe and Moran fall into the hands of the Resistance who have holed up in a Hidden City. There are some other humans on Saturn and most of the film is devoted to making an alliance with them.Science Fiction as a film form does have a half life. Jules Verne, Ray Bradbury, Isaac Asimov can write about the wonders of the future, but you can read it and use your imagination and a hundred, a thousand years from now it will adjust depending on how far humans advance. But once it's on film it stays. The Buck Rogers films are pretty laughable and campy for today, but I wonder what Gene Roddenberry's vision will look like a hundred years from now, just how much will he have gotten right?Tacked on is a prologue and epilogue of narration where a Cold War era message is hammered home. That too is a relic of the times.

Have watched many times and also the serial it came from... Love the old science fiction movies... Especially in black and white... Yet I wonder if any one has really watched this oldie... Every time I have seen it, one thing keeps bugging me about the character of Buck Rogers... Here on the IMDb site for "Planet Outlaws" the military rank of Buck is Colonel... Yet every single time I have seen this movie I distinctly hear Buck Rogers being referred to as Lieutenant ( excuse the spelling )... Not once in the movie have I ever heard Buck being referred to as Colonel Buck Rogers... Probably not the best review posted to this site but it is my first and thought I would put this to you all... I give it 5 out of 10... cheers

Final words from this edited version of the 1939 serial, as the added on narrator warns the viewers of the threat of evil dictators. In this case the one in the film is Killer Kane but was obviously a thinly veiled allusion to Hitler when the serial was originally made.The whole film is a grim allegory to the Nazi regime, right down to the mindless slave labour of Killer Kane's 'Robot Battalion,' fitted with a mind controlling helmet, they work till they die. A terrible reminder of the Nazi death camps.Re-edited and released again in 1953, with an introduction and voice-over to explain the plot, it now returns as a warning against the then perceived 'Red Menace' of Starlin's Russia.The editing is choppy at best but does get rid of a lot of the padding and recapping of the plot that make the old serials rather slow and boring to watch for today's modern audience. What we're left with is mainly the action which is somewhat simple by today's standards but was probably exciting at the time it was made.The whole film is as corny as a box of Kellogs and with Buster Crabbe in the lead role, this is really a Flash Gordon story in all but name. Playing Buck Rogers who finds himself suspended in time and reawakened in the 25th century, Crabbe's easy going charm helps carry things along. As he quickly acclimatizes to his new environment and leads Earth's forces against the named 'Planet Outlaws' led by the aforementioned, Killer Kane.It's strange viewing this from today's perspective, as in this future world there are no computers, mobile phones or even radar! The spaceship pilots have to look out the windows to see what's happening. Plus it seems the ships of the future only have one seat in them and everybody else stands. It all seems very primitive when compared to today's mega-budget special effects films but that's been rather unfair. This is more something to watch as a reminder of how it used to be and seen like that, it's quite enjoyable. Just don't expect too much!