Just so...so bad

I gave it a 7.5 out of 10

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Like I said in title of this review, this seems to be oldest available cartoon now. We have one which is older but it is lost film (Le Clown et ses chiens). This film was a part of Pantomimes Lumineuses which consist three movies created by Charles-Émile Reynaud. Film probably doesn't deserve this rate, but I increase my rate because of funny music. Sad thing is that inventor of animated movie die penniless, like many other inventors in history. And second sad thing is that before he dies, he throw away all of his work into river and that is a reason that 2 of 3 his movies from Pantomimes Lumineuses are considered as lost films.

It is said that Pauvre Pierrot (1892) was the first animated film ever (it was presented with Le Clown et ses chiens (1892) and Un bon bock (1892)). Was exhibited in October 1892 when Charles-Émile Reynaud opened his Théâtre Optique at the Musée Grévin. It is probably the first usage of film perforations. Pauvre Pierrot originally consisted of 500 individually painted images, which originally was 15 minutes long, but the 1996 restoration made it 4 minutes long.The story is about Harlequin (best-known of the zanni or comic servant characters from the Italian Commedia dell'arte), Colombina (a stock character in the Commedia dell'Arte, she is Harlequin's mistress, a comic servant playing the tricky slave type and wife of Pierrot) and Pierrot (is a stock character of pantomime and Commedia dell'Arte). It is a comedy, though nowadays it isn't that funny, in its time it must have been one of the funniest things that existed. I wish I was there when it happened.

Charles Emile Reynaud is often given little credit for his pioneering of the Animation genre. For Shame! The first animated film to be projected, "Pauvre Pierrot" (In English, "Poor Pete"), is a simple, yet important classic, in the fact that not only is it the first animated film ever made, it is also one of the first films in history to have an actual story featured in it.The plot, while simple, is noted because it can actually relate to modern times. Pete, the main character, is obviously in love with Colombine, an evidently pretty girl. He brings her flowers and even sings for her. However, her current lover, Arlequin, isn't too keen to that idea. He deviously scares Pete away, taking his drink as well. It was true even back then: Nice guys never get the girl.While it may only be five minutes, "Pauvre Pierrot" is a timeless classic, and should be given much more credit, along with it's amazing creator, Charles Emile Reynaud.

J. Stuart Blackton's 'Humorous Phases of Funny Faces (1906)' is generally held as the first animated film. Indeed, it was the first animated film made on motion-picture film, but such history is nevertheless unfair to Émile Reynaud, who, fourteen years earlier, was projecting moving animated images to delighted audiences. 'Pauvre Pierrot (1892)' is one of the director's few surviving works (most were, in a fit of frustration, discarded into the Seine by the director himself), and such a colourful and charming curio remains a delight to behold.Reynaud animated each frame himself – 500 in total (36 metres long) – and extended the film to 12-15 minutes by personally manipulating the picture-bands during the projection. The story told is a simple one: Pierrot and Arlequin compete for the romantic attention of Colombine, a beautiful maiden. One potential suitor attempts to charm the good lady with a lute performance, but his competitor goes one better with a baton or sword of some sort.Reynaud's moving picture show, billed as "Théâtre Optique" or "Pantomimes Lumineuses," included a triple-bill of three films: 'Pauvre Pierrot,' 'Un bon bock (1892),' and 'Le Clown et ses chiens (1892).' One contemporary newspaper reported that Reynaud "creates characters with expressions and movements so perfect that they give the complete illusion of life." The show was initially a great success, but, in 1918, Reynaud died a poor man. His delicate work, prone to rapid degradation, could not compete with the Lumière brothers' cinematograph, which depicted real-life, and not merely an animated approximation.