Too many fans seem to be blown away

An absolute waste of money

This movie was so-so. It had it's moments, but wasn't the greatest.

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

a film of flavors.the flavors of love . and sex. seductive, sweet, a little bitter. but comfortable, romantic and the best choice after a long and not easy work day. a Brazilian film. and this defines all. not a soap opera but not real far. because the same ideal universe, with three versions, same game of feelings and desires , same need of the other and the expectation to be the right choice are present. but something did the difference. not real precise. maybe, the actors. and the story who seems be created for everyone.

Okay, I ordered this film because I had just seen the male lead in The Man of the Year and thought he was absolutely the bee's knees - and I still think he is even after this disastrous film. But oh boy this film is a perfect example of when a bunch of women get together to make a movie. It is so female. By the end of this film I was ready to have my period and I'm not even female. Geez, give me a break. I never saw so much heart-rending, soul-searching mumble jumble in my life that spouts from the female lead here. Yikes! It's all I could do to keep up with her roller-coaster of emotions which washed over me like a wayward tsunami. The supporting cast was fabulous - especially the male lead's male lover and the male lead's mother who had me in stitches she was so funny. There is one hilarious scene where the mother comes in to wake up the male lead and discovers a punk lady under the sheets who the male lead doesn't even know is there. That really cracked me up.

'Amores Possíveis' (POSSIBLE LOVES) is fine little film from Brazil courtesy of writers Paulo Halm and Maya Werneck Da-Rin and polished young director Sandra Werneck. Filmed in Rio de Janeiro in Portuguese, the story of three possible outcomes of a potential love affair is cleverly conceived and is acted with aplomb by a fine cast of actors, and though billed as a comedy it shines with some dramatic truths that carry it far beyond the usual fluff so often before us in this country.The 'story' is three stories in one: fifteen years ago Carlos (the inordinately handsome and talented Murilo Benício) was to meet a fellow college student Júlia (beautiful and elegant Carolina Ferraz) and the film takes that moment and creates three possibilities: 1) Carlos married Júlia and had a son with her and in the present has left her for a male lover Pedro (Emílio de Melo), 2) Carlos longed for her while being married to a comfortable but not exciting Maria (Beth Goulart) and meets Júlia as the film opens, leaving his Maria for his long desired romance with her, and 3) Carlos has never married, is a lothario living with his possessive widowed mother (Irene Ravache) and encounters the artsy looney Júlia as yet another conquest. How these three possibilities for the true ending of a fifteen year missed cinema appointment reveal the true version is the story of the film. Using the same actors for the various roles and mixing the progress of each story variation can confuse the audience at times, but the actors are so fine in demonstrating the varied aspects of each character transformation that the film becomes a suspenseful puzzle. The endings of each version contain important lessons about love and, well, you just have to watch it to enjoy the details.The film fizzes with sexual excitement on many levels and is completely unafraid to take a realistic look at both straight and gay relationships, showing how similar they actually are. It is not a 'great film' nor does it purport to be, but is certainly entertains and showcases some superbly talented and beautiful actors from Brazil! In Portuguese with English subtitles. Recommended for all audiences. Grady Harp

An interesting film, but not a great one. The basic question--"What if...." is always fascinating. This question is not really explored carefully, but it does provide the basis for the plot.The actors are handsome/beautiful, and the love scenes are artful. However, don't expect gritty Latin American realism. We are shown a Brazil where everyone is attractive, everyone lives in elegant apartments, and there is beauty everywhere. (No slums, no crime, no blemishes.)Basically, this film is pared down to three love stories--no one worries about work, or social issues, or whether Lula will become President of Brazil. No one talks about anything besides love, or maybe really sexual passion.Still, this movie is not boring, it is great to look at, and it is honest in it's own limited way. Not worth a special trip, but worth seeing if the opportunity presents itself.