Just perfect...

Excellent, Without a doubt!!

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The fifth "The Hire" movie is an impressive little short. It's impressive because of the story, that is helped by its gritty atmosphere.The atmosphere is wonderful and typically Mexican style like. It really reminded me of "Man on Fire". It's gritty and sets the perfect mood for the story. The great cinematography is from 2 times Academy Award winner Robert Richardson and the music is from the talented composer Harry Gregson-Williams.The movie and its story know to impress and it has some wonderful dialog, altogether with a powerful ending is what makes this movie a bit of a must see.8/10http://bobafett1138.blogspot.com/

Let me say first thanks to BMW. Though the original idea for The Hire movie series was inspired by commercial purposes (of course, they must sell cars), all movies are oriented to a real artistical approach more than to a market strategy. It's not just a matter of publicity... well done! This short by Alejandro Gonzales Inarritu is the best of the series. Alejandro is clearly one among the most talented directors of the new generation. His own powerful and dramatic way of shooting gives no way to compromises. Alejandro's language is made of cold lights, cameras never standing still, zooming and moving like it was a video reporter filming a battle. Take a look to his first (and of course, awarded and successful) movie Amores Perros and you will understand what I mean. Hope he will never give up his style for easier ways to make money. Great!!!

Much more than a car commercial, Powder Keg explodes with energy, intelligence and heart. A powerful statement on war and our response to it, this film short packs more punch than most major studio releases. Clive Owen and Stellan Skarsgard prove once again that these two actors do not know how to give a bad performance. Well worth watching for film and car buffs, alike.

Powder Keg concludes the BMW short film series "The Hire" by adding a very human element to the enigmatic and elusive series title character played by Clive Owen. Director/co-writer Alejandro González Iñárritu departs from the pattern established by the previous 4 directors and makes the driver more of a background character, focusing instead on a war photographer who, after snapping a shocking series of photographs, is on the run and grievously injured. He takes the time to reflect on his life and what he's done-or not done-with it, and why he started taking pictures in the first place. Stellan Skarsgård does a wonderful job as the photographer, and manages to communicate volumes just as much with what he doesn't say as with what he does. Clive Owen has the opportunity to portray a different side to the driver then in the previous films, allowing his normally unflappable character to have an emotional moment beyond what we've seen. The moment at the end of the film between himself and the woman played by Lois Smith is made more pronounced by his inability to effectively communicate his thoughts and feelings, and his abrupt exit punctuates that perfectly.Iñárritu directs this short perfectly, using hand-held 16MM cameras to capture a grainy, almost documentary-like feel to the film, and over-exposure for certain shots adds the right amount of dramatic flair to the film.All in all, my only regret with this film is that it's the last one in this excellent series. BMW should be highly commended for allowing what could have been little more than overblown and expensive commercials to be short films in which the centerpiece vehicles sometimes took a back-seat to the characters and their stories instead. I hope to see another series like this again soon.