Pretty Woman
Pretty Woman
R | 23 March 1990 (USA)
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While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.

Reviews
Phonearl

Good start, but then it gets ruined

Manthast

Absolutely amazing

Limerculer

A waste of 90 minutes of my life

AshUnow

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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aimiliataco

The film, "Pretty Woman", carries a really important message. The film tries to explain that everything is possible around love. From being a multi millionaire (rich) to being a prostitute (poor), anyone can be with anybody because you're still a person who has feelings like every other human being on this planet.

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gokcensaygi

I just don't get the one thing. Gere has black hair on the movie poster but he has grey hair through the whole movie. I love him anyway. But I think details are important.

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sol-

Hired by a rich businessman to be his date for a week, a prostitute has to work out if the businessman is serious about his romantic advances towards her in this romantic comedy that propelled Julia Roberts to fame. A popular movie when first released, 'Pretty Woman' has received some backlash over the years for its lack of realism and indeed one has to suspend disbelief at how kind-hearted both protagonists are. There is enough snappy dialogue though to keep things moving along; "we both screw people for money" Richard Gere comments at one point, while his observation that "stores are never nice to people... they're nice to credit cards" offers some unexpected social commentary for a lighthearted film like this is. The other big plus is the talented supporting cast. Hector Elizondo is delightful in a Golden Globe nominated role as a prim and proper hotel proprietor who gradually warms towards Roberts while Jason Alexander is a lot of fun as Gere's cunning lawyer. Realism aside, the biggest issue with the film is how little Roberts changes over the course of the film. This is no 'Pygmalion' or 'My Fair Lady' tale in which we see a noticeable difference in the protagonist as a result of her experiences. Still, it is a pleasant enough movie with some really funny moments (Roberts commenting on an opera) in between the clichés.

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filmtechnz

I really don't have anything to add that has not been said before by those who have disliked this movie. I just hated it and have no idea why it did so well at the box office I hated it when I first screened it back on first release - and for goodness sake why glamorize prostitution? In all the films I have screened over 50 years this would have to be close to the worst.

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