Price Check
Price Check
NR | 16 November 2012 (USA)
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A middle aged, middle class, former music industry executive with a stay-at-home wife and son toils away at a supermarket chain. When a new high energy boss enters the company, she increases his fortunes and responsibilities while also creating tension in both his professional and personal life.

Reviews
SmugKitZine

Tied for the best movie I have ever seen

Evengyny

Thanks for the memories!

Merolliv

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Helloturia

I have absolutely never seen anything like this movie before. You have to see this movie.

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Lee Eisenberg

Parker Posey has been one of the queens of the indies for the past two decades, and she extends this with Michael Walker's "Price Check", in which she plays a no-nonsense woman who becomes boss of a company. However, it negatively affects the home life of one of the employees.Posey's character reminded me of her character in "The House of Yes": you grow to love them, but you'd probably be afraid to approach them. Eric Mabius's character starts out nothing like his character on "Ugly Betty", but becomes more like him. In the end, this is a movie that you truly have to appreciate: with limited resources, they made an infinitely better movie than anything that Michael Bay's ever made (as can be expected with indies). I recommend it.

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tipdiptip

I saw the movie on Netflix while browsing randomly and quite enjoyed it. Pete Cozy is a good guy who seems to have made some compromises around his career (really wanting to pursue music) but settles for an average job and then enters Susan his new boss and things change. The movie depicts very well how money can be seductive and change you; you can't help but feel bad for Pete in the beginning and perhaps even relate with him at many levels (esp if you have struggled in an industry where it really is tough get a break) and eventually settled for a regular 9 to 5. Parker Rosey is a delight as the ruthless new Boss. The transition of Pete and his wife, the change that money brings to them is interesting to watch. How i wish the movie would have ended with Pete pursuing a career in music leading a humble lifestyle but indeed it is sad how some of the external factors in our lives can shape our choices I thought it ended sadly :(

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Paul Keister

I wasn't really sure what I thought of this movie until the day after I saw it - which for me is one hallmark of a great film. This is a movie that appears to be one thing, a cynical office comedy, but ultimately turns out to be something completely different, a much deeper and satisfying look at contemporary American life.When we first meet the Susan Felders, masterfully played by Parker Posey, we are tempted to see her as a larger than life and quite outrageous character. But by the end of the film, we get the clear realization that everything we've seen fits neatly within the prescribed limits of modern corporate norms.The story is a kind of coming of age story for the protagonist Pete Cozy, competently played by Eric Mabius. It's interesting to note that Pete's struggle to find his place in the world during his 30's illuminates a kind of extended adolescence that has become a standard part of modern adult culture.In many ways this movie reminds me of Up in the Air, which was one of my favorite films of 2009. It covers some of the same themes as that movie, but the characters are drawn with more subtlety here and the situations are more ordinary. Both films provide a commentary on modern American social structures with the corporation as the central gathering point. Whereas Up in the Air presented characters of mythical and almost melodramatic scope, here we see nitty-gritty scenes with very recognizable characters and motivations.All in all, a very nice film.

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garko-1

Anyone who's worked in an office environment will recognize the dread and anxiety of working under a high-strung new boss. What will surprise you is how the workers all adapt in one way or another. At first, out of fear of losing their lousy jobs in a down economy, but then, as their work might actually result in something positive, out of a sense of purpose, albeit consolatory.The performances are uniformly excellent and Parker Posey is both brittle and formidable. Her interactions with Pete (Eric Mabius) are fraught with tension and unpredictability. She plays a character motivated by ambition and her ultimate actions come both as a surprise and completely within the realm of probability. And the big reveal also reveals the lengths to which Pete will go to land employment, even if it's at a workplace he has little passion for.Most of the reviews I've read have misread the ending as losing its satirical edge. I'm assuming these reviewers think it ends happily. But it doesn't. Pete ends up doing exactly what he had said all throughout the movie he didn't want to do: give up on music and go to work in the retail corporate world. There is a very pointed message here. Pete is a sort of all-American everyman. Someone whose dreams were deferred indefinitely. The entire movie is about how people as bright and promising as Pete, and even his wife Sara, fool themselves into lives they never wanted. And about how they adapt to diminished expectations.How's that for striking close to the bone?

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