Prêt-à-Porter
Prêt-à-Porter
R | 23 December 1994 (USA)
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During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.

Reviews
Fluentiama

Perfect cast and a good story

Exoticalot

People are voting emotionally.

Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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Abegail Noëlle

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

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moonspinner55

Fashionistas and hangers-on and journalists from around the world converge on Paris during Fashion Week. By 1994, producer-director Robert Altman had acquired such a sterling reputation among actors (based on his free reign policy of letting his performers find their own way with their characters within the scenario) that the biggest stars of the time were willing to sign on to the latest Altman project, no matter the material. This may help to explain what Sophia Loren, Marcello Mastroianni, Julia Roberts, Tim Robbins, Lauren Bacall, Anouk Aimée, Kim Basinger, Rupert Everett, Linda Hunt, Forest Whitaker, Teri Garr, Tracey Ullman, Danny Aiello, Stephen Rea, Sally Kellerman, Lili Taylor and others are doing here, besides chatting-chatting-chatting themselves into a vacuum. Altman, who also co-wrote the screenplay with Barbara Shulgasser, appears to have even more contempt for runway fashion than he showed for country music in "Nashville", but at least there he had a solid group of characters courtesy of Joan Tewkesbury's acerbic script. Altman apes Tewkesbury's fragmented style in the hopes of capturing another irreverent gem, but neither the cast nor the fashions (nor all the overlapping talk) are interesting here. It's nice to see that Loren is still slapping Mastroianni but, without anything else to play, their scenes together merely feed on our movie memories without replenishing them. NO STARS from ****

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kfo9494

No one can argue that Altman is a brilliant film-maker. But at least have the guts to say that this was not his finest hour.The film was a hodgepodge of scenes that was suppose to fit together nicely as we get to the ending as the models walk out on stage wearing nothing but lipstick. But in reality, this film was like watching clips from 'The Carol Burnett Show'. Some of the things in the movie are very well done. But the scenes did not fit together to make a coherent flow- as it seemed we drifted from situation to situation without a cause or purpose. Was not sure if this was suppose to be a comedy or a revelation of the fashion industry. Either way it was lost in the translation.This movie goes to prove, that even with a star-studded cast, you need a story that at least flows to reach a certain point for the audience to comprehend. This movie does not flow. In this collection of clips, there are some funny moments and some serious moments. While the moments are nice they cannot hid the fact the story was lacking.

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gavin6942

A chronicle of the interconnected lives of a group of people in the lead up to Paris Fashion Week."Prêt-à-Porter" received generally negative reviews from critics; it currently holds a 26% 'rotten' rating on Rotten Tomatoes. Despite this, it was nominated for a Golden Globe. So, is it a masterpiece or a failure? No one knows for sure.In some ways, this is a return to "Nashville" in the sense that there are an incredibly large number of cast members, not always interacting. But the theme here seems more contained, with a central event connecting them all (even if loosely).

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do-bye

It's hard to say anything about this movie. The guy played by Stephen Rea was a silly taking pictures of all of the woman who wanted him. He needs to go somewhere. They got him back. "Ready to Wear" was an interesting satire. It shows how crazy and ridiculous it is in the industry. The women were beautiful. Kim Basinger, Sophia Loren,Julia Roberts, Tracy Ullman were all characterized in different ways. Each had their own personalities. Ms. Roberts and Tim Robbins in the bed all day was funny. They just loved steaming up the room. That was something to see right there. There have been few films like "Ready to Wear" that shed so much light on one industry. The ending was crazy. The models coming out nude(naked) was some serious mess. No way would I put that on the runway. That is the down part.

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