Truly Dreadful Film

ridiculous rating

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Intelligent, low key sci-fi piece, impressive looking for it's reported budget of $500K. This has stylistic echoes of films like David Cronenberg"s "Dead Ringers". In a near future dystopia, a scientist builds a robot that looks like him, and has his memories. They end up both competing for the same girl. While the basic building blocks are familiar, the acting is quite good (especially for a no-name cast), and there is more thought put into the creepy, complex philosophical and moral elements, and the moody muted tone then into cheap scares. The ending is a bit of a let down, in that it feels a bit more formulaic. But overall this is an impressive first film by a director who sadly has yet to make another.

Unlike so many of the mass-produced, mind numbing works of garbage being pumped out by the Hollywood machine of late, this film was as thought provoking as it was entertaining. This film is an ideal example of how a little genuine creativity and a lot of hard work and dedication can outdo a large budget, CGI and crowds of extras any day of the week. For that alone, the makers of 'Puzzlehead' deserve much credit. The scene of a drab future world, in which scientific advances are shunned in favor of protecting and preserving our own human concept of humanity, is set flawlessly through the thoughtful use of cinematography and colour. Ultimately, this film has one questioning which of the many factors we associate with humanity are actually desirable, and which are not. It also raises questions regarding which human traits are necessary in a being in order to regard that being as human. If other humans think it human, does that make it so? I also appreciated the film's insinuation that all things made by man will ultimately suffer from the same innate flaws as man himself. If you're looking for a film that can stand firmly on its own two feet, without the crutches of a catchy soundtrack, famous actors or multiple explosions, then I would highly recommend that you watch Puzzlehead without delay.

Puzzlehead is truly entertaining and thought provoking. Though one finds oneself wishing more information given concerning the general history of the haunting setting of the movie, it is well worth seeing. The movie appeals both to true science fiction aficionados and to those who prefer the dramatic or symbolic. I found myself completely drawn in to the movie. Additionally, because of the nature of the special effects used in the filming of the movie, there is little to no feeling of artificiality as is common with so many modern movies of ANY genre. For personal comparison, I enjoyed Puzzlehead much, MUCH more than I did Spielberg's "A.I."

"Puzzlehead" is much like an extended "Twilight Zone" episode warning about man creating artificial life in his own flawed image.It draws on myths from the doppelganger to the golem to Pygmalion and their psychological counterpart in "Fight Club," to sci fi from Asimov's Robot Rules to "Star Trek"'s "Data" character to darkly answering Philip Dick's question "Do Androids Dream of Electric Sheep?" (the basis for "Blade Runner"). But this film makes battles about the Rise of the Machines more intensely personal than in "The Matrix" trilogy and even more intimate than in the new "Battlestar Galactica" series.Several elements raise it up beyond other robot genre films - the look, sound and, to a lesser extent, the role of woman and procreation in this nihilistic future.While filmed all in Brooklyn, the film looks like it is set in a violent, post-apocalyptic vaguely Eastern European dictatorship, both through the settings and the gritty and changing point-of-view cinematography and editing.The sound design very effectively adds to the creepy mood. According to Q & A with the director and crew at the Tribeca Film Festival, problems with the original ambient sound necessitated a re-recording of the entire soundtrack, including the actors' voices. Capitalizing on the look, the actors' original voices were replaced by other voice-overs with added accents so that all the speaking has the slightly disconnected feel of dubbed over foreign films, adding to the uneasy theme of relations between man and machine.The superior music selections, mostly heard Dogme style played in situ, add to the tense atmosphere, from the Yiddish folk song "Dona Dona" (its chorus here is eerily ironic, usually translated as "But whoever treasures freedom/Like the swallow has learned to fly."), to Bach and Scarlatti played on a harpsichord as if it's an automatic player piano.A unique element to the Frankenstein aspects of the story is the viewer's shifting sympathies between the creator and robot, usually based on how each relates to the woman, even as toward the end we scarily lose track of which one is the human.Writer/director James Bai, in the Q & A, cited Daniel Keyes' ironic story/novel "Flowers for Algernon" (the basis for the movie "Charly") as an influence, but I was struck more by the warning of human creators transmitting their intrinsically violent and emotional flaws.This film deals with some of the same issues as "Artificial Intelligence," but is to that film as the recent version of "Time Machine" is to "Primer." It is being showcased by the Alfred Sloan Foundation as the latter film was, for creatively showing science in society."Puzzlehead" can definitely be marketed to adult fans of robot movies, sci fi and "The Twilight Zone," but I doubt it will appeal more widely.