A waste of 90 minutes of my life

This story has more twists and turns than a second-rate soap opera.

Exactly the movie you think it is, but not the movie you want it to be.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Noted director Howard Hawks would make only two more films after "Red Line 7000" before calling it a day."Red Line" is a soap opera racing flick from 1965 that tries a bit too hard to be hip (no doubt on account of Hawks' previous film "Man's Favorite Sport?" being criticized as "old-fashioned"). It's corny at times and melodramatic at others, but it's fun and highlighted by some truly bizarre dance numbers, including clever usage of public domain music (be on the look out for the rockin' rendition of "The Old Gray Mare").The picture is generally considered to be one of Hawks' worst films, if not THE worst, but it's redeemed by the dynamic chemistry between James Caan and Marianna Hill, who plays a French girl. Caan displays the intensity and talent that would make him one of the better actors of the early 70s. And Hill's performance, on par with other memorable Hawks discoveries Lauren Bacall and Angie Dickinson, makes you wonder why she didn't become a bigger star before fading into obscurity. Particularly notable are Hill's two lusty dancing sequences, at the nightclub and later at the Holiday Inn Pepsi machine, as Caan observes her from afar.If you're not familiar with the incredibly gorgeous Marianna Hill, she played Dr. Helen Noel on the original Star Trek episode "Dagger of the Mind" from 1966 (1st season). Believe it or not, Hill was arguably the MOST BEAUTIFUL WOMAN to appear on the series (which is saying A LOT in light of the fact that Star Trek is highly noted for it's over-abundance of stunning beauties). She appeared in NUMEROUS television shows throughout the 60s and 70s (e.g. Batman, Kung Fu, Bonanza, Mayberry RFD, etc.) and also quite a few films like Elvis' "Paradise, Hawaiian Style" (1966), Clint Eastwood's "High Plains Drifter" (1973) and even STARRED in the underrated atmospheric horror flick "Dead People" (aka "Messiah of Evil" 1973).BOTTOM LINE: Hill and Caan redeem "Red Line 7000" and make it a mandatory purchase or viewing. The film should have focused exclusively on these two characters and gotten rid of everybody else (!), yet even with its weaknesses "Red Line" is still more intriguing than the more popular mid-60s race drama "Grand Prix." Unfortunately the film is only available used on VHS for WAY too much money. Hopefully it will be released on DVD some time soon! Allow me to close by repeating: MARIANNA HILL IS IN THE FILM!

I have to agree with the comment about Ms Hire being a junior grade Paula Prentiss. I logged on to my account to write that Gail Hire (Holly) came across like Paula Prentiss, but it had already been noted. But, I also noticed that Marianna Hill (Gabby) seem like she was a substitute for Brigitte Bardot and Laura Devon (Julie) as Nancy Sinatra.I like the movie, even though it was full of clichés and all too typical of most racing movies. I like looking at the race footage. I remember many of the races and knew the full background of the races and accidents shown in the movie. I like the movie because it showed real production based race cars racing. The same makes and models my neighbors owned. If you like NASCAR this is a movie worth seeing. If you are looking for AFI top 100 films, this is not the movie for you.

Although well intended, this is a real melodrama, a tale of the daring, reckless, untamed men of stock car racing and the women who love them... oh, please. The racing sequences are good, but these guys are pulling stunts that would have made even early NASCAR officials nail them to the wall. Caan's acting is good, but he's not yet the fantastic actor we know today. He does well with the often stilted dialogue, some of which has gaps you could drive a truck through. MST3k material. Gail Hire (Holly) has a voice that makes Lauren Bacall sound like Minnie Mouse...You haven't lived until you've heard her baritone song/rap "Wildcat Jones" and seen George "Mr. Sulu" Takei dancing the Pony. This film is funnier than it was ever meant to be... and in ways I doubt Howard Hawks ever intended.

This film is a collection of racing scenes interweaved with small love dramas involving drivers and their mates. Although the racing scenes are well done, the dramatic portions are extremely silly. Outside James Caan, acting is poor. The choice of a final scene is unconventional and intelligent.