Am I Missing Something?
an ambitious but ultimately ineffective debut endeavor.
View Morea film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
View MoreThe film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
View MoreA cold-war-era style tale of alien invaders brainwashing the masses via VHS, Remote Control stars Kevin Dillon (younger brother of Matt) as video store clerk Cosmo, who discovers a plot by extraterrestrials to destroy mankind by altering an old sci-fi movie so that it causes uncontrollable violence when viewed. With the help of his best pal Georgie (Christopher Wynne) and babe Belinda Watson (Deborah Goodrich), Cosmo sets out to destroy all the copies of the film on video before they can be shipped nationwide, but can they succeed without being exposed to the deadly movie themselves?How '80s do you like your films? I only ask because this quirky little sci-fi flick from director Jeff Lieberman (Just Before Dawn/Satan's Little Helper) takes everything already tacky about the decade of day-glo and back-combing and pushes them to the limits, with exaggerated fashion disasters and bizarre hairstyles that make Cyndi Lauper and A Flock of Seagulls look positively reserved by comparison. If you find the idea of metallic lame blouson jackets at all upsetting, then you would probably be better off giving this one a miss. If, however, you appreciate absurd low budget obscurities and revel in the colourful and kitsch, then dive on in.In addition to its clever plot device (whereby the '50s film that the aliens use to control their victims has the same narrative as the film we are watching) and all of the gaudy 80s style, Remote Control delivers lots of nostalgia for those who grew up in the video era (check out all of the cool titles and posters in the video stores!), some cheesy fight action, Jennifer Tilly sporting a truly awful hairdo, a surprisingly good explosion, and an impressive full body burn stunt. While not quite as accomplished as Jeff Lieberman's horror movies—a bigger budget would certainly have helped to fully realise its potential—Remote Control is still a unique experience from a true auteur, and should provide a fun time for those curious enough to seek it out.
View MoreREMOTE CONTROL cleverly makes fun of all those sci-fi/horror movies from the 50's to the 80's about an alien conspiracy trying to wipe out all mankind. It's even fairly original as to the means the aliens use to succeed in their diabolical plan: A video-tape with a cheesy sci-fi-flick is being spread throughout the country. While watching it, it sends out signals, converting yourself into a killing maniac. A videostore clerk figures it out and sets off to stop this madness.REMOTE CONTROL is an undeniable product of the 80's but also parodies that same era. Quite unique, I'd say, and therefore extremely enjoyable to watch. Videostores were spawning all over the country during the 80's, and this movie portrays them as distributors of evil. It makes particularly fun of the 'tv-generation' and the youngsters in this movie are all caricatures. Just look at all their colorful costumes & crazy hairdos. It portrays the 80's generation as if seen through the eyes of the 50's generation, applying their notions and ideas of the concept 'futuristic'. So you see REMOTE CONTROL goes pretty far in terms of parody. And between all this spoofing insanity, it also manages to refer to François Truffaut's BAISERS VOLÉS. I think director Jeff Lieberman comes close to being a genius. But that's only because of his ideas and the fact that he knows his stuff, not for his technical skills or stunning visuals. He certainly is no Tim Burton (I'm only mentioning him because he made MARS ATTACKS!, which is probably the ultimate sci-fi-spoof. So I'm NOT comparing him to Lieberman).It was also so much fun to see a rather young Jennifer Tilly in this one. Now, we all love Ms. Tilly, don't we! And I personally think she deserved the part of Deborah Goodrich. That way she could've lasted the whole movie, instead of killing her off so soon. Kevin Dillon maybe isn't a great actor, but he was decent as Cosmo, the video-clerk with a mission. I liked him better in the '88-version of THE BLOB, though.I desperately want to rate this movie a bit higher, but I can't. Because the rest of the acting wasn't so good and the rather low budget & production values really showed from time to time. This movie also could've used a bit more cheesy special effects, 'cause there are practically none. And there's also no blood (exept a few gun-shot wounds and the death by a futuristic knitting device), in case you were wondering. And then there's the fact that we never actually see the aliens. Only their human puppets, doing all the work. They're only referred to as being on a distant planet, controlling everything. But in the end this movie succeeds in what it intended to do: making a funny sci-fi/horror-spoof that will have you laughing at its intentional stupidity & silliness.
View MoreI watched this film because I love Jennifer Tilly but how could I have done such a mistake!It's even unthinkable that this movie is from '87.The script could have been set down better but it could be overseen if we aren't too pretentious.But what I can't forgive is the incredible bad acting performance what could have been a bit better(in my opinion)if the directing qualities were more professional.Anyway this was not the spot I suppose.They just wanted to give a popular sci-fi teen movie that fitted fine in that years.IF you want watch it if you're curious, eventually I did the same but if you avoid it it's better.
View Moregreat concept plus great imagery: takes every-day 80's concepts that slowly meld into futuristic looking situations. E.g. girl in work-out clothes later looks futuristic... The idea that watching a video makes you crazy enough to kill is great...plus the fact that the video story is recursive...the story on the video is about people who watch a video...
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