Fantastic!

Boring, over-political, tech fuzed mess

Watch something else. There are very few redeeming qualities to this film.

Exactly the movie you think it is, but not the movie you want it to be.

Lousy, stereotypical and misogynistic, but, hey, if you ever wanted a glimpse of Binoche's binush, this is the film for you! Binoche plays a slutty, fairly talentless actress who meets up with Wadeck Stanczak and invites him to her play, even though she's sleeping and living with one of the ushers. His presence breaks up that convenient relationship and she accompanies Stanczak home. He assumes he's getting laid, but he's too goody-goody for her. Instead, she ends up falling for his complete bastard of a roommate, played by Lambert Wilson. The guy, after seeing her once, attempts to rape her and threatens to kill her. On their next meeting, he threatens to slit his throat in front of her (with the razor he brought with him). This is known in France to be normal behavior, as we all know from their movies. Of course, she'd fall for him, leaving poor sap Stanczak with a rosy palm. The film is unbelievably insulting towards women. Fortunately, Binoche is such a fantastic actress that she almost makes the film worth watching. The character is stereotypical in a lot of ways, but she gives it her all. This was basically her first starring role in what would be (and continues to be) one of the best acting careers in the movies.

Oh sooooo disappointing. The most helpful thing I can tell you is Don't Bother! Sure, the acting was great, fearless etc etc. but the script was so very baaad. The writer/director et al- they just couldn't decide WHAT to do with this story. Actually, the only really interesting thing for me in this film- is the performance of Lambert Wilson doing a young Jeremy Irons.'I'm sure my film experiences of him are stunted but I have only known him as a comedic/semi-comedic actor.He does a very riveting job as the tortured soul here. But still, there are so many good films directed by Techine or starring these actors; just skip this one.

RENDEZ-VOUS comes from Téchinés 'romantic' period of the 70s and early 80s, comprising of BAROCCO, LES SOEURS BRONTE and HOTEL DES AMERIQUES. Of these four films RENDEZ-VOUS is without doubt the most worthwhile and successful.In her first leading role Juliette Binoche is a revelation as Nina a provincial girl who has moved to Paris in order to pursue an acting career. She becomes involved with two vastly different men the gentle Paulo (Wadeck Stanckzac) and the dangerous and intense Quentin (Lambert Wilson).Unpredictable and provocative this girl bounces between both men. However her whole world falls apart when one of them commits suicide. Cast in a production of Romeo and Juliet by the compelling Scrutzler (Jean Louis Trintignant) this young girl begins to confront her own behaviour and psychology.Téchiné's brief film is full of themes about female artistic urgency.Is there anything this girl will do in life that she will not do on stage.Should there be? What is the dynamic that drives such an ambitious yet lost girl. the film deals superbly with all these ideas without ever resorting to simplae answers. Aided by Binoche's fearless performance the film is incredibly emotional and romantic, helped in no small part by a stunning Phillippe Sarde score.RENDEZ-VOUS is an intense and at time difficult film, but it is worth every effort to begin to explore this girls psychological motivations.

Notice how the jackets of just about every video, especially the French ones, SHOUT how SEXY the movie is. In Krzysztof Kieslowski's "Blue," par example, Juliette Binoche and the film are touted as being so, so sexy. But it wasn't, and neither was she. However in "Rendez- Vous" you will see a Juliette Binoche with enough sexual power to awaken a dead man-not to say that this movie is as good as Kieslowski's "Blue." It isn't, but it's not bad.Binoche is full of energy as a provincial French girl with a flair for the stage new to the lights of gay Paree. She plays fast and loose (and natural) with the men she meets, and dodges some serious trouble before working it out with the man she really wants. Characteristically, Director André Téchiné leads us close to the dark side of sex without really offending our sensibilities.Jean-Louis Trintignant appears in a small role that anticipates his triumphant creation as the admiring older man in Kieslowski's "Trois Couleurs: Rouge" nine years later.(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)