A brilliant film that helped define a genre

A Brilliant Conflict

It's entirely possible that sending the audience out feeling lousy was intentional

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

21 EYES (2003) **1/2 Rebecca Mader, Chance Kelly, Nestor Serrano, (voices of : Fisher Stevens, Michael Buscemi, Shae D'Lynn) Gimmicky yet affective heist drama with a unique spin: telling the crime thu the eyes of 2 off-screen police detectives attempting to piece together the jigsaw puzzle of a diamond heist where an inside job looks to be the m.o. A few clever twists and turns and the back and forth banter by world-wearily sarcastic Stevens and Buscemi boosts the otherwise predictable yet compelling screenplay by Sean Murphy and director Lee Bonner suggests a blend of Bogart flicks with a dash of Tarantino wisdom of honor among thieves.

I saw "Replay" on video at a friend's house. I hadn't been planning to watch a movie, but I came in just as it was beginning, and didn't leave my seat until the film was over.I was watching it on a TV screen, just like the cops were. The people who saw it in the theatre liked it, and I'd love to see it that way, but it certainly works well on the small screen. I found myself talking back to the cops as they made assumptions, interpreted movements, gathering and discarding as they groped toward a solution.I didn't find myself being as detached as one previous reviewer, though I can see the detachment theme. Surveillance films are distant by nature, but they are only a starting point here, as are the cops. What this film is about is how observers try to separate themselves from what's observed, and the successes and failures inherent in that. Through the whole film I was more and more drawn in, and the magnet was the human beings on the screen. The mundane nature of the presentation of violence only accented the human price of the crime.

I caught this movie last night at DCIFF. I found it very original and intriguing. You basically see about 4 different scenes, but they are replayed from different angles and the writing brings out something new in each scene each time. The plot is strong and the acting is well also.I couldn't help thinking while watching the movie that it reminded me of a cross between Momento and Mystery Science Theater 3000. The detectives commentary on the video tapes they were watching was very funny.Overall, this is a very good and very well done movie.

I stumbled upon this one at the Annapolis Film Festival (who knew?) on a weekend out in "flyover country." But I'm glad I did.The film "Replay" takes you on a mysterious ride using an intriguing new filmmaking trick: the viewer only sees tapes from a security system and listens in as detectives watch the tapes and try to figure out a crime, or if a crime has taken place at all. In other words, the audience participates with the detectives while they do their work. Very cool. The interest builds quickly as the viewer gets used to this new way of presenting a story, and it draws the audience in even deeper. As you watch the security tapes and listen to the detectives, you follow the many plot twists and possibilities that they discover. I thought we (the detectives and I) had it figured out at least three times, only to be fooled again. Because you never see the detectives, you might miss some of the wry comedy built-in to the script. But again, that only pulls you closer to the team as you get to know your "partners." You're forced to search for clues just like the detectives, and since you become part of the process, you're pulling for them. You feel frustrated like they do when the plot goes in another direction. The ending had me (and the detectives) totally surprised. I'd love to see it again just to find more stuff I missed!