Powerful

One of the worst movies I've ever seen

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

RETREAT, HELL! is a fun and patriotic little Korean War movie with a greater emphasis on characterisation than most B-flicks of the era. Shot in black and white on a low budget with the copious use of (decent) stock footage of the real war, this follows a reluctant captain (played by CREATURE FROM THE BLACK LAGOON's Richard Carlson) as he leads his men against overwhelming numbers of Chinese and North Koreans during that violent escapade. The film's script is snappy and the characters are well drawn, even if only a few of them get our focus: Frank Lovejoy's no-nonsense lieutenant colonel stands out here, as does Russ Tamblyn's ever-so-youthful recruit (and it must have been one of the few times that an actor's age matched that of the character he played). RETREAT, HELL! doesn't have the finest action scenes you'll see, but it doesn't prove to be boring either, and I rather liked it.

We are in the Korean War, and a U.S. Marine battalion are desperately trying to get thru a snow laden mountain pass before the better equipped enemy kill them all. With their own supplies running out and many of the Marine's losing their belief systems, it's likely that death or glory are the only options.Film's set during the Korean War are few and far between, it's almost as if it's an overlooked cinema topic in many ways. Pork Chop Hill and MASH aside, you would be hard pressed to name half a dozen films set in and around what has become the forgotten war. Now Retreat, Hell! is nothing to greatly shout about, and certainly it isn't fit to lace up the shiny boots of Gregory Peck's pork chop sizzler (sorry for that). It's however one of those films that you can stumble on with no expectation and enjoy purely on an interesting scale. Riddled with clichés and serving only to achieve its aim of bravado flag waving heroics, it carries a little emotional weight (soldiers insecurities and fears) and molds nicely the mounting tension (the wait for attack is itchy) with its competently handled gun fire. Directed by Joseph H. Lewis (7th Cavalry & The Big Combo) and starring Frank Lovejoy (In a Lonely Place & House of Wax) Richard Carlson (The Ghost Breakers & King Solomon's Mines) and a young and bouncy Russ Tamblyn (Tom Thumb & West Side Story). Retreat, Hell! wont have you hankering for another visit some time in the future, but hopefully, just like me, you will be glad that you at least gave it the time of day. 6/10

War is hell. This grim movie bears that out. At least this black and white movie is consistent from start to finish as it portrays United States Marines landing and later retreating in the frozen hell of Korea. The movie's redeeming qualities are its educational aspects and the actual combat footage. Story, dialog, casting, acting and special effects are all about average. I thought the characterization was better than average at times, as it showed Marines struggling with loss, despair, fear, hope, joy and even expressing compassion. Korea has been termed the forgotten war. That is unfortunate as it was and still is very relevant, even to this day. Witness the recent demonstration of nuclear power by North Korea and the consternation it has generated. The younger generation should be aware of our nations history and this movie can be a fun and enlightening way to do so. They might wonder what Chinese soldiers are doing there. At one point our movie's characters are almost saying a famous line from a later movie--"Who are these guys?" Overall, Retreat, Hell! is a respectable war movie.

Now, don't get me wrong, `Retreat Hell' is an action-packed film, full of tension and combat, with the expected heroism and violence.It's just that it has a...sensitive side. It somehow seems out of place for its time, more suited for the 70's than the '50s.Richard Carlson is an unlikely hero for a war picture, particularly one from the hard-edged, patriotic 1950's. He's such a sensitive, nice fellow, and, to those of us accustomed to seeing him portray science-nerds (as in `Creature from the Black Lagoon' and `It Came from Outer Space') he may seem a tad intellectual for a leader of a Marine company. Even more unlikely is baby-faced Russ Tamblyn (who was still billing himself as `Rusty' at the time) as a rough-necked Marine Corps grunt. But that's the kind of picture this was: a war movie that dealt with the human face of war, even to the point of making `our boys' seem downright sentimental, but without being even remotely a vehicle for pacifist sentiments. It's an unusual, even eccentric approach, and at times it doesn't work, while at others it surprises with effectiveness.There aren't very many war movies about Korea, today called `the forgotten war' in America. The most well-known one, `MASH,' was an unabashed allegory for Vietnam, and one quickly loses sight of the distinctions. `Retreat Hell' is much more specific, and accurate, in its portrayal of a war most Americans don't really know what to make of. It was the war we didn't quite lose, but certainly didn't win, and for the post-WWII generation, that was a perplexing legacy. Many of the more extreme patriots of the day chose to rationalize it by asserting we had been railroaded into the war by the UN, possibly as part of a Communist conspiracy. `Retreat Hell' avoids political uncertainties by focusing on the lives of brave but sympathetic soldiers, who did their duty as the American leadership saw fit to define it.The title, which sounds like a statement of defiance (`like Hell we'll retreat') is actually a somber quotation from General MacArthur. At the time the forces in Korea had overextended themselves, and become surrounded on all sides. The order was given to break through the enemy lines to the sea. When asked about the retreat in Korea, the general replied `Retreat Hell, we're advancing in the other direction.' A retreat normally means falling back through your own lines to reach a stronger position, but this was an advance, through enemy lines, to a position that would allow a retreat.Unlike many WWII pictures that were being made at the time, actual Asian actors were used to portray Asians, and not all of them were evil. The filmmakers evidently thought enough of their audience to remind them that the war was being fought for our Asian allies, not as a racist war against a generic enemy. In light of recent political developments, it is interesting to note that the British also make an appearance on our side. The Communist soldiers are portrayed as devious and callous, but not beyond the realities of the war (obviously Bad Things committed by our side are not shown) - they are not inhuman, merely the enemy.This movie gives us both action and drama, and probably was a precursor to `Saving Private Ryan' in more ways than one.