Very very predictable, including the post credit scene !!!

This movie is the proof that the world is becoming a sick and dumb place

Surprisingly incoherent and boring

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Mild social commentary comedy drama is of more interest for its cast than the rather facile situations it presents. A bread and butter feature of the kind that all the studios churned out to fill a double bill and feature their stable of promising newcomers and reliable character actors this one is packed full of actors and actresses that went on to better things.Without a doubt the person who made the biggest splash following this is Lana Turner in her nascent phase here. She's sweet, still a brunette and full of the dewy youth and kittenish sexuality she exuded in the early phase of her career before changing into a harder article after The Postman Always Rings Twice, not fully in the spotlight but definitely holding the screen. The other person who would emerge with a major career is Robert Young but he'd have to wade through years as a second string leading man before hitting the top in TV. He's competent and charming as ever but his character isn't too clearly defined. Another fine performer-Ruth Hussey, still a few years away from The Philadelphia Story, isn't really given a very strong character either for someone who is supposed to be the lead but she is an appealing presence as always.For the supporting cast the always reliable Guy Kibbee is on hand as Ruth's kind father and the ill-fated Rita Johnson is saucy as Young's sister. The standout in support however and not in a good way is Lew Ayers jackass cousin Henry. Through no fault of the actor the character grates every second he's on the screen and it's only because of Ayer's natural charm that he is even mildly bearable.The picture is in no way special but still worth catching once for seeing the type of quality cast Metro was able to assemble for even the most ordinary script.

Ruth Hussy is the secretary to her rich boss (Robert Young). Suddenly, out of the blue, they realize how much they love each other and plan to marry. But first, he needs to meet her family. During this kooky meeting, it becomes obvious to Ruth that her working-class background is so completely unlike Young's upper-crust world that they should slow down--and wait to marry. So, to help things along, Young decides to 'slum it'--to hang with her family and get to know them better. However, some of her family are pretty annoying and what will happen when Young tries to help out and improve their lives? Oddly, his kind gestures aren't always appreciated.This is a pretty enjoyable comedy with some fun performances. However enjoyable though, it is a bit uneven and is not a great comedy--just a nice one that fans of old films will likely like. When you watch, get a load of Lana Turner before her big Hollywood makeover. She sure looked very, very different--and a lot more natural.

During the 1930s' and the Great Depression Hollywood seemed to need too exclaim some sort of social conscience. Many of these films were meant to show that the 'Rich' could fall in love with the poor and they were not much different then the rest of us. Particularly if the 'Poor Girl', was attractive, well dressed and spoken and her 'seams' were always straight.RUTH HUSSEY filled the 'Poor Girl' role in 'Rich Man, Poor Girl' (1938). ROBERT YOUNG, the boss and 'Rich Man' who falls in love, wants to marry her and bring her up to his speed. Which by the way IS her speed. The conflict, is that the POOR GIRLs' family is a bunch of boobs, save for the Mother who had married beneath her for love. The worst of the lot is a Cousin played by LEW AYRES. He feels the need to dispense 'lunatic left' philosophy whenever the opportunity presents itself in the guise of representing the great (and unspoken) middle class. Not holding onto a job during the Great Depression is supposed to be one of his endearing traits. Did not play well then and does not in the early 21st Century.While HUSSEY and YOUNGs' character are sympathetic and the Mother SARAH PADDEN rings true the rest are just stereotypes. A young LANA TURNER of course is always worth looking at, but LEW AYRES character is not. He had been placed in this type of role before, if not him, HENRY FONDA or JAMES STEWART. They infest themselves with a-lot of Politically Correct social conscience (nonsense), but NO real solutions for any problems. Fortunetly common sense and true love win out in the end and everybody lives 'happyly ever after'. Wish all problems of the World could be solved as easily as in this movie.

Even though it's lighthearted, this film does touch on several issues that were important at the time: joblessness, income inequity, old age. It's only about six inches deep, but most movies at the time were only about an inch deep.And Ruth Hussey holds her own against Lana Turner (who does a creditable acting job, by the way).The only downside [** spoiler alert **]......is...... the ending. In the space of three or four minutes, most of the characters surrendered their principles, on which the entire movie is based. Very disappointing, as if the author/playwright/screenwriter ran out of time and wrapped things up quickly and sloppily.But overall, a mostly enjoyable film, with a glance at social problems.