Riffraff
Riffraff
| 03 January 1936 (USA)
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Fisherman Dutch marries cannery worker Hattie. After he is kicked out of his union and fired from his job he leaves Hattie who steals money for him and goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie.

Reviews
Helllins

It is both painfully honest and laugh-out-loud funny at the same time.

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Derry Herrera

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

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Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Hattie

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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classicsoncall

This film has all the pacing and dialog of a screwball comedy, but it's emphasis is on drama and the fiery up and down relationship between it's principals. Personally, I couldn't wrap my head around the chemistry between Dutch Muller (Spencer Tracy) and his fiancé/wife Hattie (Jean Harlow), though obviously stranger pairings have occurred both in movies and real life. But just to quickly make my point, take note of the Fourth of July party on the Fairy Queen - Dutch gets miffed at Hattie and shoves her away with a hand in her face, while she spits on him in response. Boy, talk about a budding romance.The story involves Dutch Miller's ambition to rise to the top of the local fisherman's union to thwart cannery owner Nick Lewis (Joseph Calleia) from taking advantage of his position against the tuna men. There's an interesting sequence showing the operation of a cannery assembly line, though I was amazed to see one of the female workers packing a can of tuna by hand! That didn't seem very probable to me but with just a quick glimpse there's no way to tell how normal that was. Other aspects of the assembly line required no hands-on involvement.As one of those cannery workers, Hattie must have left work each day smelling like fish, thereby adding some resonance to Dutch's remark while dancing closely next to her - "That's swell stink-up you got in your hair". It was meant as a compliment obviously, though I'd be wary of using one like that today. If you try it though, get back to me and let me know how it went over.The thing that really blew me away in the story was Hattie getting sent up to Sorena Valley Prison for ripping off her boss at the cannery. Geez, how much could she have stolen to get sent to the slammer? Then, when the picture segues to her prison life, she's in her jail cell with a baby! Come on, when was that ever the case? Okay, the film makers were going for a little pathos here, but that was just too in-your-face. But I guess it served it's purpose to bring Dutch back down to Earth from his high-hat ambition as a union boss.The picture is peppered with it's share of colorful characters with names like Flytrap (Victor Kilian), Ratsy (Arthur Housman), Brains McCall (J. Farrell MacDonald), and Hattie's Dad Pops (Roger Imhoff). However the one to really keep your eye on and ear tuned into was the sleazy cannery owner Nick, who's dialog always kept you guessing. Case in point, one of his conversations with attorney Markis (George Givot) commenting on everything that's happened in the story - "What is past is gone out and over done". It sounded like something Stan Laurel would say.

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Scoval71

I enjoyed this 1935 movie. I like Jean Harlow and she gives a splendid realistic portrayal of a girl in love with a man who seems to ignore her. She looks wonderful in this movie. The story is rather far fetched about a tuna fisherman who wants better conditions and better pay for himself and his fellow workers but is rather immature and bull headed about everything and everyone. He is always getting in arguments or fights at the drop of a hat. Una Merkel as the sister is fine and the young Mickey Rooney is also in this movie. It is a pleasant story, if rather dated and old fashioned, but I did enjoy it and recommend it, and especially for us Jean Harlow fans, of whom, there are many.

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bkoganbing

In watching Riffraff again I'm struck with the burning question, what did Jean Harlow see in Spencer Tracy?Both are working class people, he's a commercial fisherman she's his sweetheart who works in the cannery owned by Joseph Calleia. He's a blustering, pigheaded, egomanaical boorish lout of a human being, kind of lovable in his own crude way. But stack him up against Joseph Calleia, foreign accent and all, there ain't a contest. Calleia is the guy all the fishermen deal with as independent contractors with their catch. He's shrewd and clever, ruthless at times, but definitely not stupid. Frankly if it were me in Harlow's place, there's no contest. Take up with Joseph Calleia and give Spence the old heave-ho. But if Jean did that there'd be no movie.Tracy's taking a part that normally would have been given to Wallace Beery at MGM. Maybe before San Francisco that's how MGM executives saw Tracy, a B picture Beery. It's similar to some of the roles he played at Fox. But I can't recall another film where he played a guy so dumb.In fact the film is an odd property for MGM. This thing should have been made at Warner Brothers with Cagney and O'Brien.But Jean loves her man through thick and thin, even goes to jail to protect him. I can hear Fanny Brice singing in the background.Riffraff doesn't belong at the top of the list of film credits for either Tracy or Harlow. Mickey Rooney as Harlow's younger brother, Joseph Calleia as the boss, and J. Farrell MacDonald as the wise and compassionate head of the fisherman's union have the best roles.But you want to see Tracy and Harlow sparkle? Go buy or rent Libeled Lady.

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kyle_furr

The main problem i had with the film is the screenplay. It was just badly written and you didn't believe a lot of the things the characters did. The plot really doesn't come together like it should and the movie is just pretty bad. It stars out with Spencer Tracy talking some workers out of a strike that would of hurt them and he also p***es off his boss. Both Tracy and the boss are interested in Jean Harlow but Harlow only goes with the boss because, i just forget and who really cares anyway. Mickey Rooney is also in here and Spencer Tracy is a great actor but he's only OK in here. Jean Harlow does a pretty good job and you should watch Libeled Lady instead.

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