Rika 3: Juvenile's Lullaby
Rika 3: Juvenile's Lullaby
| 23 June 1973 (USA)
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Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!

Reviews
Bardlerx

Strictly average movie

AniInterview

Sorry, this movie sucks

Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Uriah43

As in the preceding two movies the juvenile delinquent named "Rica Aoki" (Rika Aoki) has been brought to a reform school and has to establish herself among her peers. The leader of the female delinquents in this reform school is known as "Tornado Oman" (Masami Souda) and in order to maintain her leadership feels that she must get Rica to recognize her authority. Naturally, Rica has no intention of following anybody's lead and because of that a fight breaks out which is eventually stopped by the guards with no clear winner being established. Not long afterward, Rica breaks out of the reform school and becomes involved with a young Amerasian girl by the name of "June" (Yoshie Ichige) which results in other problems for everyone concerned. Now rather than reveal any more I will just say that this third film in the "Rica Trilogy" pretty much carried the same general themes as its other two predecessors. Along with following the same standard plot its definite low-budget overtones, followed by a lack of intensity, didn't particularly help this movie in any way. It was pretty much the same old thing only less entertaining. For that reason I have rated this film accordingly. Slightly below average.

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