disgusting, overrated, pointless

Close shines in drama with strong language, adult themes.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Amazing worth wacthing. So good. Biased but well made with many good points.

This is a "revised" Riverdance presentation, staged at Radio City Music hall in New York City. Of the three Irish "dance" musicals that I watched during the mid to late '90s (which includes the first "Riverdance" and "Lord of the Dance") I liked this one the best.I thought it was better than the original, held in Dublin, Ireland, because it adds segments that are mostly good, it has a more varied and colorful stage setting and it eliminated apiece for two from that original that wasn't good to begin with. This is just a very solid show with few weak spots. To be certain, there are some songs/dances that are just "fair" but none that are poor, which is amazing considering there are 20 numbers in all.The cast is similar to the first Riverdance with the main exception of Colin Dunne replacing Michael Flatley as the featured dancer. Both are extremely talented. The major difference might be in their looks with Dunne a little, goateed black-haired guy while Flatley is the clean-shaven blond. I prefer Dunne because Flatley's ego is so big he gets annoying at times. The female lead, Jean Butler, thankfully, is still there and is great to watch: what graceful beauty and talent! Butler and the rest of these women have the greatest legs I've seen on dancers. I also enjoyed the dancing of Maria Pages, a Spanish flamenco performer, and two guys: Daniel B. Wooten and Ivan Thomas. One number - with those two pairing off against Dunne and two other dancers -0 is called "Trading Taps" and is terrific fun to watch, maybe the highlight of the whole show. I have no complaints about violinist Eileen Ivers, either.The "fast" Irish songs here appealed to me the most. I appreciated the audience not getting in the way of the performance either with shrieks and screams like the women do in the "Lord Of The Dance" video.

In my opinion, Flatley ruined the first show with his ridiculous ego. He was disrespectful to his dancing partner, tried to upstage everyone and had no awareness of the spirit of Riverdance. It's well he left the show. Colin Dunne, the new male lead, is superb, and when he and Jean Butler dance together, magic happens! Eileen Ivers' fiddling is astonishing (as is Noel Eccles' percussion,) and Maria Pages' "Fire Dance" is worth the price of admission! When Pages and Ivers get together, near the end of the show for a musical duet, well, it's a genuine treasure. I agree, the editing isn't complimentary, but no technical shortcoming can quell this extraordinary tour de force. This is the one to get. There's never been anything like Riverdance! This is the real one!

The New Show is just about half as impressive as Michael Flatley's Feet of Flames. Angles and perspectives of the camera were almost annoying at times and the show itself lacked the spark of adventure and mystique I saw in Feet of Flames, Possibly because this seems to be set up in NY and not in forests of England? :) The set and special effects could have been better too. However the music and dance lived up to expectations, though it lacked the master himself. This isn't a must have for every Riverdance fans, but still fun to watch it for the music once or twice.

I saw Riverdance - The New Show and loved it from the very first moment! It is an energetic tribute to Irish dance filled with brilliant dancing, music and choreography! The leads, Jean Butler and Colin Dunne had me captivated with their exquisite dancing! May they always keep shining and keep dancing. Their on stage chemistry was amazing, and the unity between them on stage was obvious. They look like they were made to dance with each other! This show is my absolute favourite, and probably always will be. Long Live Riverdance!