Pretty Good

I wanted to but couldn't!

A different way of telling a story

By the time the dramatic fireworks start popping off, each one feels earned.

This is a funny movie starring David Arquette and Famke Janssen about stealing cars. They are not just trying to steal any car though. Their main objective is to obtain a car called the RPM that is supposed to be a car that runs without fuel. More than that I think it is simply to be about the antics that take place.This is one of those movies that isn't supposed to be picked apart and taken seriously. It has bad acting, effects, direction, etc. on purpose. It is made to be funny. Has anyone ever seen a movie from the decade called the 80's. By the way, this wasn't an inspiration for "Gone in 60 seconds". Gone in 60 seconds was a remake of the film Gone in 60 seconds (1970 i believe). That is also a film that is so bad that it is fun to watch.

Where to start really? Arquette trys really hard to not make this movie horribly bad, but unfortunately carries it even further down the hole. Whether by design (as a spoof) or on purpose (REAL drama (HA!)), this movie lacks really anything of... well anything. Arquette's voice-over work is the only thing even remotely entertaining, and that is because the soundtrack is actually NOT out of sync with the characters lips. It seemed like I was watching a Chinese film, or even worse a Godzilla movie, rather than a film done mostly in English. It becomes really annoying after about a minute, and makes the whole film seem even cheaper.Oh yeah, plot! The characters are Arquette, his dog (who he refers to and speaks to like a person through the entire movie (AGHHHHH) and is the second main character in the whole production), Famke Jannsen, and the French girl. Basically Arquette is a car thief, so is the dog (sorta), and Jannsen is one as well. The French girl is just obligatory, so you don't have to watch Arquette speak and act to the dog for the whole ninety minutes.The plot is that the two (three (four)) of them are supposed to steal a prototype car. Sounds cool right? Sorry, you are treated to bad chase scenes, a bad helicopter scene, dumb plot twists, cheesy dialogue, bad acting, Arquette panning to the camera at every second possible, AND NO REAL PLOT. Every scene just seems to outdo the last one for being amazingly bad. You don't believe me, here's an example SPOILER: Arquette happens to just end up pool side of the naked girl who's car he just stole, and the same car was stolen from him, and the girl is the former girlfriend of the guy funding the stealing spree. END SPOILER. Is that dumb or what? Come on, how many coincidences can you shove into a movie and just blow off.I used to think that Congo was the worst movie ever made, now I may have to reconsider. The movie looks like it was made in the early 1980's, is dubbed like Godzilla, and has Hudson Hawk (which by the way I enjoyed)-type plot twists, but lacks the creativity to make them enjoyable, and has BAD acting. Heck, they couldn't even make the police car look like a US police car, instead they just marked Los Angeles on the side of a French police car. I don't see very many marked Yugos in the States.Sorry, I got off on a rant... just don't bother viewing this, obviously very few people have and that is for the best.

I had a day dream today. I didn't have a job but I was filthy rich, I could pick up hot chicks with cheesy lines, I got to travel around the world and drive the C*#P out of KILLER classic cars (best part), and everything worked out exactly the way I wanted it to.Who in their right mind would watch a David Arquette movie for its plot?! Not me. Simple props and random plot changes, cheezy stunts, bad acting, making fun of French people...it's all deliberate and to me, it's a pretty smart parody on how ridiculous Hollywood is. Why not?But seriously, who cares? Get hammered and have a good time. It's all about the cars anyway!rock the house

"R.P.M.", a silly saga with David Arquette as an international car thief, can't manage to get itself out of park. From casting to acting to simple props and stunts and everything in between, "R.P.M." is a loser. The only good thing in this film is Emmanuelle Seigner who seems awkwardly out of place and in need of a good script.