I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

So, I decided to watch Sal because I was looking for gay themed films and this one popped up. Big mistake, it dramatizes the last day of his life but the key word is drama, why not put something interesting for us to hold our attention? Speaking of attention, I was so bored by the 30 minute mark that I ended up surfing the web and I am sure I missed nothing important For a film about the last day of an American icon, they should've taken some dramatic license or something. It really made me feel like I was REALLY watching someone's last day, bogged mundane and all the minutiae. In other words, I can't finish this film anymore than I finished the 3 rd and 4th season of In The House...it was just too painful for me to continue watching, it's boredom level is Prometheus...and that movie was flippin' boring!

This film tells the story of the last day of the Hollywood actor, Sal Mineo, whose life was tragically cut short.Despite the potentially engaging subject matter, "Sal" is not a very interesting film to watch, unfortunately. I can hardly believe it can be so boring. The film starts off with a four minute scene of him working out in a gym. Then Sal on the phone for minutes, and you can only hear one end of the conversation. Then more phone calls. It's probably the most uninteresting day in real life, let alone in cinema. And where's James Franco? I didn't see him at all, and I did skim through the film again and I couldn't find him.This film is a waste of time. Avoid!

As a fan of Sal Mineo and James Franco I was looking forward to this film. With a short running time I began to worry as the 30 minute mark was approaching and I was not getting into it.This movie has parts similar to "The Brown Bunny" that terrible movie consisting of filming a driver wandering aimlessly and then ending with a surprisingly graphic unrelated sex scene. Only "Sal" omitted the surprise since of course the movie tells you at the very beginning how he dies. If you like Terrence Malick movies (I don't) with a dose of "Investigative Reports" you may enjoy it. If you are a fan of Sal Mineo you won't. The kind-of epilogue regarding the arrest of the killer seemed like an afterthought.Franco said his intent was to capture the mundane typical activities of someone on the last day of their life without them knowing it is their last day. That doesn't make for an interesting movie. I suppose if the character was fictional and the death at the end was a shocking out-of-nowhere surprise it could be entertaining, like a "Twilight Zone" episode. But Sal Mineo was a real person and we know already that he was murdered in a pointless random act.The tediousness of the opening workout scene (as appealing as a shirtless Val Lauren is), the smoking scenes, and the severely close-up conversation scenes, just dragged on and on. Even the play rehearsal scene was tedious and didn't tell us anything. I wanted to know who were the important people in Sal's life? Who were his friends? Did he have a relationship? Maybe he really was a has-been actor desperately trying to convince friends to fill the seats of his off-off-off-Broadway play. But I was hoping for more. The copy-paste of real Sal's "Rebel" Oscar-nominated performance upped the contrast of what this movie could have been.

The trouble with close-ups of two men eating lunch and discussing Sal Mineo's upcoming film is that we don't get much more than two men shoveling food in their mouths. I don't know why director Franco was so locked in to the close-up. Or why we get so much footage of Sal Mineo driving through LA in his Chevy Malibu. Without any dialog or view out the window, this is downright boring. The accompanying torch song (Pink Flamingos?) on the sound track was so loud I had to cover my ears. As for period authenticity, someone should have checked the script: in 1976 people did not use the expression, "You're good to go." —- not even the nurse as the health clinic.